New Tracks

Damn Hands – “Gravity Waves”

Holiday Weight by Damn Hands “Gravity Waves” is the latest track from Austin-based band Damn Hands. Crisp guitar twangs open the track with a soaring sensibility amidst a pulsing bass line. Easy-going

Dog Walk – “What Do They See”

Dog Walk deliver a delectably dark surf-rock sound throughout their newly released self-titled album. The track “What Do They See” is enjoyably representative; soaring vocals and grooving bass join alongside dual-layered vocals,

Love Wagon – “Take A Minute”

A funky delight, “Take a Minute” is the latest single from Toronto-based band Love Wagon. The opening shows a captivating yearning, exceling into charismatic allure as the track progresses. “She doesn’t really

maria rabbit – “witch tree”

Intimate folk and dreamy pop converge on the hypnotic “witch tree,” a new track from Japan-based artist maria rabbit. The ghostly folk beginnings exude a trippy lightness reminiscent of Sean Lennon. maria

Olivia Morreale – “Wasting Daylight”

Impressing last year with the track “NO ANSWER,” Los Angeles-based Olivia Morreale strikes again the excellent track “Wasting Daylight.” A dreamy love song with soulful brass and R&B vocal charisma, “Wasting Daylight”

don’t get lemon – “D.I.E.I.N.T.H.E.U.S.A.”

A nocturnal anthem with a consuming soundscape, “D.I.E.I.N.T.H.E.U.S.A.” is a new track from Texas-based band don’t get lemon. A steadily murky vocal delivery finds solace alongside serenely chugging bass and lustrous synth

Hyooman – “Month End”

A delectably dazed psych-rocker, “Month End” is a new single from Minneapolis-based band Hyooman. Twangy guitars and reflective bass are joined by playfully psychedelic keys to start, as the calming vocals incorporate

UncleBoy – “SO SO BAD”

“SO SO BAD” is a grooving, spacey pop delight from UncleBoy, the project of Bristol-based writer/producer Tom Campbell. The second single from his upcoming album Blue Forever Blue, out this spring, “SO

New Albums

Áron Porteleki – ‘Smearing’

Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”

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