New Tracks

Max Macready – “Holding Pattern”

Moody synths and charismatic guitar work intertwine grippingly on the fantastic “Holding Pattern,” the debut single from London-based duo Max Macready. A love for sci-fi films, specifically those from John Carpenter, melds

Marianne Engebretsen – “A Normal After This”

Norwegian artist Marianne Engebretsen returns with the track “A Normal After This,” a stirring and beautiful reflection on loss, longing, and the hope of rebuilding. Marking the first glimpse of her forthcoming

Amelie – “Blessed”

Channeling a bluesy rock passion amidst themes of resilience and self-love, “Blessed” is a resonating new track from Amelie. The London-based singer-songwriter is only 13 years old, though crafts a sound with

Lora Kelley – “If You Let Me”

Fusing Americana and folk within a thematic embrace of love, “If You Let Me” is a resonating new track from Virginia-based artist Lora Kelley. Coming via her upcoming album, Where I Am

Close To The Sun – “The Song Of Nothing”

Achieving a captivating psych-rock evolution, “The Song Of Nothing” is a new track from London-based band Close To The Sun. The song unfolds as a reflection on city life, balancing the thrill

YUME AO – “PAPILLON”

French artist YUME AO captivates with her new single “PAPILLON,” a sleek fusion of house, nu-disco, and electro-pop enjoyment. Blending Riviera sophistication with cosmopolitan cool, the track embodies her signature “sweetly ephemeral”

AliveTeen – “STOP TELLING”

Invigorating with its confessional, heart-on-sleeve rock power, “STOP TELLING” is a recent track from Toronto-based artist AliveTeen. Her recent singles show a dynamic aesthetical range, spanning from the dreamily soulful pop of

D’Lee – “Stagnation”

“Stagnation” is an enthralling new single from D’Lee, whose melding of cinematic folk and country stirs alongside a riveting vocal performance — yearning to break free from stagnation and the darkness of

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New Albums

Rina Kharrasova – ‘Ravel: Sonatine’

Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate

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