Chicago-based artist Bomethius presents a stirring sound on “Aida,” casting a heartfelt folk and rock appeal within an emotional thematic emphasis. The track is described as “about domestic abuse, and the sorts
New Tracks
An emotional introspection compels throughout “March,” a new single from Wasp Eater that drives from folk-ready passion into a trumpet-forward soaring. The lyrics convey how time “feels like it moves faster every
Denver-based artist Johnathan Maske impresses with a catchy rock appeal on “After Everything,” following up the previously featured single “Chasing Shadows.” Described by Maske as “all about a night out in the
“Reverie” is a memorable new single from Los Angeles-based act Cap’n Marble. Suave guitar buzzing past the first minute traverses into woozy, hypnotic synth accompaniments with enduring psychedelic appeal. “I wanted you
A lush pop sound enamors on “Illuminate You,” a new single from Cy Noel. “Don’t ask me to,” the vocals let out amidst effervescent synth touches and sporadic percussive pulses, crafting a
An enthralling blend of alt-rock, metal, and industrial-tinged grunge is showcased on Veil Lifter, the new album from Vancouver-based duo Post Death Soundtrack. Comprising Stephen Moore and Jon Ireson, the project shows
A timeless folk mystique glows on “Blue Reed,” an alluring new single from Lang Owen, whose debonair narrative-rich vocal presence meshes beautifully with the melodic vocal reflections of Kelly Porterfield. The lyrics
An introspective, late-night rock sound takes hold on “High,” a new single from Aidan Rhys that explores the emotions arising from repeated “failed situation-ships.” “I’m not what you want me to be,”
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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