Swedish act Pilgrimage Years engross with a shoegaze-forward appeal on “Afloat,” the third song from their upcoming full-length debut album. An eerie soundscape of guitar feedback invigorates into a shoegaze-friendly wall of
New Tracks
A smooth, funky pop appeal shows throughout “Faded Jeans,” the latest single from Dutch pop band WATERLEAF. Taking inspiration from acts like Air, Daft Punk, and L’imperatrice, the track’s stylish production enamors
Nashville-based quarter Slow Animals reveal a moody alt-rock disposition on memorable new single “Bleedin’ Out.” A grungy, slow-crawling guitar progression complements understated vocals to start, lamenting they’ve “been consumed by the red
The two latest singles from Kama Tala showcase the artist’s emotive rock appeal. The project of songwriter Philip Earhart excels with a dynamic rock sound, touting both peppy hooks and suave guitar-led
The debut single from Edinburgh-based trio Thundermoon, “Wild” impresses in its thematic escapism and lush synth-driven expanses. Initial plucky synth-driven momentum complement lyrics with a steady stream-of-conscious feeling, aligning with descriptive explorations
Engaging in a range of acoustic-driven commentary and ardent vocal rises, “God Couldn’t Save The Queen” is a track out today from Danish-Dutch trio Subterranean Street Society. Releasing aptly on the one-year
Love and War by Jennifer Tefft A track out today from Boston-based artist Jennifer Tefft, “Love and War reveals a moody rock engrossment, concocting an ’80s nostalgia with its anthemic vocal dynamics
A compelling pop success from New York-based artist Eleri Ward, “Grieving the Future” meshes punchy hooks and serene synth-laden ruminations alike. This original track follows three cover albums from Ward, who also
New Albums
Detroit-based singer-songwriter Derby Hill crafts a warmly sincere debut EP steeped in folk, country, and roots tradition. Influenced by artists including Steve
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Minneapolis-based quartet Wastrels return after six years with a fantastic self-titled album, blending immersive shoegaze textures, head-nodding post-punk grooves, swirling guitars, and
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Detroit-based artist Ramo Z‘s two-track EP I hate parties captures nightlife with heart, blending introspective indie-dance and house-ready energy. “strobe lights” hypnotically
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Nashville-based singer-songwriter Mary Jennings delivers an impassioned sound across Pyrotechnicolor, a six-track EP written over the span of a decade. Blurring pop,
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