New Tracks

Stranger Attraction – “Riot”

Synth pulses and hazily melodic guitars enamor alongside mellow vocals on the catching “Riot,” a new single from Stranger Attraction. The project was formed by Barcelona-based artist Boris Salapa, originally from Czecho-Slovakia.

Santa Claws – “Grain of Sand”

French band Santa Claws strut an introspective rock appeal on new single “Grain of Sand.” Climactic guitars and escalating vocal layers successfully tackle lofty, space-minded themes, as explained by Santa Claws: “This

Jeremy Aaron – “The Day the Internet Died”

The day the internet died by Jeremy Aaron A compelling single with an evident Talking Heads inspiration, “The Day the Internet Died” comes via Brooklyn-based artist Jeremy Aaron. A wry wit is

Ghostcake – “I Think I Do”

“I Think I Do” is a lushly entrancing blend of dream-pop and electronica, marking another success from Ghostcake. The artist’s debut single “Get It Right” caught our ears last month with its

Great Howl – “Tower”

Traversing from murky distortion into a triumphantly clear folk-pop soaring, "Tower" is a moving new single from Great Howl, an 8-piece based in Austin, Texas.

Dr. Rocket – “Haven’t I Seen Your Face Before?”

“Haven’t I Seen Your Face Before?” is the latest from Dr. Rocket, the solo project of Seattle-based artist Nick Carver. The self-produced success exudes a mellow psych-pop accessibility, centering around the title-referencing

James Wyatt Crosby – “Same Dream Every Night”

“Same Dream Every Night” is a nocturnal, atmospheric success from Canadian artist James Wyatt Crosby, fusing a delicate piano loop and evolving vocals with pulsing electro-touched pop momentum. The track represents the

Mild Universe – “Connected Endlessly”

A dynamic, grooving rock sound consumes on “Connected Endlessly,” a recent single from San Francisco-based collective Mild Universe. A suave bass line, light guitar swipes, and expressive trumpets converge with hypnotic impact

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New Albums

Áron Porteleki – ‘Smearing’

Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”

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