“Where Did You Go?” showcases a shimmering and melodic rock aesthetic from Buffalo Boy, the solo project of James Thomas, an artist from Swansea, UK. Themes of existentialism in song often are
New Tracks
Showing a late-night mystique in its guitar/synth intertwining, “Never An Easy Way Out” is the latest single from London-based artist Paolo Ruiu. Embracing lush vocal dreaminess and subdued guitar tones amidst spacey
Swedish artist Arn-Identified Flying Objects And Alien Friends tugs at the heart with timeless-sounding rocker “About Love,” described as “about regret and love lost – and what could have been.” “Are you
Bay Area-based artist Chris Portka unleashes a striking sound with “wildlife [instrumental jam],” evolving from noise-rock ruminations into a passionate array of dexterous guitars with creeping, climactic qualities. Releasing ahead of Portka’s
Out today from Canadian Métis artist Auroara, the track “Emergence” stirs in its emphasis on self-love amidst a compelling production, propelled by fiddle, keys, and steady vocals. “I want to be real,
Earthware‘s mellow, hypnotic “See the Sunlight” enamors with its gentle acoustics and hazy keys, sounding like an apt accompaniment for mid-summer sunrises. The Portland (OR)-based project of Eli Wheeler, Earthware released the
“Matters of Chance” is a new track from Toy Dinosaur, traversing from moody late-night contemplation into a passionate uptick in vocal emotion amidst the nocturnal soundscape. Per the duo of Joshua Batstone
Charleston-based band The Puddleducks enthrall with an emotional rock sound on their new EP, Prince of Tides. A thematic focus on loss, both in regard to the mysteries of death and the
New Albums
Swedish musician and producer Kristoffer Ragnstam, who records as They Owe Us, has spent over two decades in the alternative scene, supporting
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Stereotyping is the latest album from electronic artist Marek De Vann, also featuring Hammond organist Paolo Apollo Negri, released via influential Italian
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In The End is an emotionally raw EP from Australian outsider artist Hurb Jephasun, drawing on decades spent in Sydney’s underground music
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More People Than Teeth is the debut album from South London folk-punk band The Early Swerve, pairing infectious melodies, acoustic instrumentation, violin,
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