NYC project Uncle Skunk enthrall with their latest single “Aussie Tender,” whose harmonious and hook-minded rock sound conjures a nostalgia reminiscent of The Replacements. Releasing ahead of a new EP this fall
New Tracks
A dreamy electro-pop dazzler, “Sound Of Violence” is the latest single from Pebbl, the solo project of Bristol-based musician and visual artist Gina Marie Tratt. Spacey synth pulses and lush vocals march
Engaging with a steady rock infectiousness meshing grungy guitars with a pop-minded vocal charm, “Imposter” is the debut single from Small Shake, the Seattle-based project of Aarin Wallace. The track thematically explores
A new track from rock collective Finding Frances, “Lobster Screams” struts mellow keys and guitar riffs alongside compelling contemplations on modern adulthood anxieties — specifically “on aging parents and housing scarcity,” reflected
The exciting title track from The Beach Bats‘ upcoming full-length, out in August, “Limbo” is a hooky rocker spanning both solemn builds and frenzied passion. The standout chorus enamors with interplaying dynamic
When I’m Gone is the new album from New York-based artist Clippy, whose quaintly effective psychedelic sound consumes. “When I’m Here” and “Fragments” are two highlights in particular, showing themes of reflection
The captivating tracks “Six Feet Under” and “On the Road” preview the upcoming full-length from Form and Fate, featuring vocals from Orion Lake. Form and Fate return after a 12-year hiatus, now
“I’m not going to rest easy,” the unsettling vocals let out on “Bungalow Blues,” the swampy psych-infused single from Makoa Blue, the self-produced project of Atlanta-based artist Skye Passmore. The lyrics prove
New Albums
matar la luz blends darkwave, post-punk, and dream-pop across Atlanta-based solo artist MatAre‘s latest full-length, balancing brooding guitar work and synth-driven atmosphere
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Delighting in its modular synth textures, escalating rhythms, and gradual shifts in intensity, Latticework is the debut album from Voix Nulle, the
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Spanish artist Santa Ana blends psychedelic guitar work, atmospheric synths, and expressive vocal arrangements across Vagío del 62, a debut album that
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The Clean Crime Scene‘s debut album Raw Cuts moves between gritty guitar rock, swirling psychedelic passages, and layered vocals, showcasing the project’s
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