“2006” is a new track from Scottish artist Tom Vevers, the second single from upcoming EP Space and Time. The track’s rousing vocal presence and anthemic feeling — “let’s just go back
New Tracks
Get Big by Keen Garrity “Casting You Out” is a stylish track from Knoxville, Tennessee native Keen Garrity. Vocal pants and intriguing guitar twangs complement a thumping bass line, the lyrics commenting
Experimental electronic project Oneo Fakind intrigue throughout their latest album The Start of Something, indicated enjoyably the twinkling, ever-expanding “The Coniologist.” Coniology, specifically, is the study of atmospheric dust — so the
Wallflower by Amanda Easton “At the Door” shows a passionate vocal performance alongside pulsing synths and a spacey atmospheric charm. The track, from Amanda Easton‘s new album Wallflower, grows enjoyably from quaint
Suavely melodic with atmospheric synth-pop pull, “Groovatta” is a newly released track from Darkroom Data, the indie electro pop duo comprising Irish vocalist Gillian NoVa and Brazilian composer Márcio Paz. Following last
Manchester-based five-piece Mewn captivate on their debut track “I See it Now, Pt. 1,” evolving from eerie vibraphone flickers into a gripping rock sound. The verses lend a nocturnal, hypnotic quaintness, with
Dad's New '92 Acura by Sam Pearce A track from Sam Pearce‘s debut album Bay State, now out on all platforms, “Dad’s New ’92 Acura” is a engaging, sentimental listen. Lyrically reflecting
“Roomates” is a consuming track released today from Good Grim, the art-rock solo project led by Utah-based musician Trevor Free. Strutting a haunting, atmospheric sound with post-rock and dream-pop elements, “Roomates” evolves
New Albums
On the ambitious Redux Trilogy, London-based project Coaxial delivers three distinct releases — Redux Media, Firemaniac, and Wittgenstein–Cronkite–Hellholes — designed for simultaneous
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Los Angeles-based band Sego unleash an eclectic, charismatic art-punk and rock appeal on their new album, Direct To DVD. Flipping a format
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Newly released album Muffled Ears, the World Sounds Bad Quality finds Reading, England-based artist Sightseeing Crew crafting a sophisticated collision of psychedelic
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Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate
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