A hazy, jangly track with a warmly harmonious chorus, “Part of This” is out today via Los Angeles-band project Modern Animal. Lush guitars and subdued bass lead alongside vocals that stress a
New Tracks
Two Flights Up by Smotherly Love Exuding shimmering guitar twangs and bright synths, “Two Flights Up” is a hooky new track from Smotherly Love, the Essex (UK)-based artist featured last year with
A haunting track with a wintry rock sound, “There’s Someone in Front of Me” is a track from Oregon-based project The Bradley Parsons Project. The creative outlet of Brad Parsons (also the
An anthemic rocker with peppy effervescence, “Turning Into Gold” is the latest track from Astro Villas, the Baltimore-based project of Sean Pennington. Hazy, whirring synths glide into a series of perky guitars
Aptly named considering its entrancing qualities, “Trance” is a new track from IMBER, the solo project of Bristol-based musician and producer Ben Imber. Woozy guitars and serene vocals drive to hints of
Released today from Australian artist Zerrin, “Sleepless” is a track with ample art-pop mystique. The “can I be you,” vocal expression with mingling keys, in particular, lends a fully haunting feel reminiscent
Lucha Like Libre‘s “Laced Up” begins with a driving rhythmic backbone that breaks open to raspy vocals, endearing with their lyrical sincerity. Alongside crunchy guitar jangles, lushly cinematic synths rush into the
Don't Shoot the Messenger! by Livingroom “Keeping Time” is a melodic rocker with playful guitars and a power-pop vocal charm, courtesy of Chicago-based band Livingroom. The track comes via recent album Don’t
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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