A consuming darkwave sound lingers throughout “The Rabbit,” a track from Tania Cassette‘s new album, The Death of Me. Haunting, twinkling synths are quickly met by a bustling post-punk bass feeling, before
New Tracks
Austin-based trio Thee Ancient Asses craft a stirring sound on “Algorhythm,” expanding from the nocturnal sounds of neighborhood crickets to a hypnotic bass groove and ensuing guitar mystique. They describe the track
Korean alt-rockers Silica Gel meld psych-rock and Eastern influences on recent single “Manphasickzuck,” traversing from understated intrigue to a blistering rock entrancement. The project notes that the track title derives from “a
“The Typewriter” is the latest single from London-based singer-songwriter Joshua Woo and the centerpiece of his forthcoming debut album Remove The Name, releasing on October 16th. Entirely written and self-produced by Woo,
London-based alt-pop artist MOLTENO channels the lingering pull of a past relationship into “Daydream,” reflecting on connections that were ultimately unhealthy yet remain difficult to release. An accomplished performer, songwriter, producer, and
Melbourne-based singer-songwriter River Holland conveys the power of enduring love alongside fellow Melbourne artist Eadiella on the indie-folk duet “Higher Love.” Known for songwriting centered on change, love, and self-discovery, Holland finds
An excellent new mix from Mark Saunders of the previously featured “We Run” from Reduction in Force, this production delights in its expanded, atmospheric sound. While the original fuses understated synths and
Little Rock-based songwriter Possumwulf delivers a striking sound on the newly released single “You Can’t Kill My Love,” pairing intimate folk textures with increasingly forceful orchestral and rock elements. Emerging from the
New Albums
Dutch singer-songwriter and pianist Rosa Vendel presents her four-track debut EP Silhouettes on October 16, moving between alternative folk and soul through
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Bristol-based singer-songwriter Lady Nade captivates with a soulful, genre-fluid approach on Identity, her fourth studio album, moving between folk, Americana, jazz, blues,
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Nashville-based Israeli artist Omer Netzer infuses Southern soul, blues, roots-rock, and alt-country on Let It Sing: Side A, his five-track sophomore EP.
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Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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