“The Typewriter” is the latest single from London-based singer-songwriter Joshua Woo and the centerpiece of his forthcoming debut album Remove The Name, releasing on October 16th. Entirely written and self-produced by Woo,
New Tracks
London-based alt-pop artist MOLTENO channels the lingering pull of a past relationship into “Daydream,” reflecting on connections that were ultimately unhealthy yet remain difficult to release. An accomplished performer, songwriter, producer, and
Melbourne-based singer-songwriter River Holland conveys the power of enduring love alongside fellow Melbourne artist Eadiella on the indie-folk duet “Higher Love.” Known for songwriting centered on change, love, and self-discovery, Holland finds
An excellent new mix from Mark Saunders of the previously featured “We Run” from Reduction in Force, this production delights in its expanded, atmospheric sound. While the original fuses understated synths and
Little Rock-based songwriter Possumwulf delivers a striking sound on the newly released single “You Can’t Kill My Love,” pairing intimate folk textures with increasingly forceful orchestral and rock elements. Emerging from the
Suzy Pine’s art-pop single “Whispered Dreams” arose from an “impossible love story,” capturing the tension of holding onto something that already feels destined to disappear. Originally conceived as a piano ballad, the
“Dream” is a new single from MILYAM that explores the uneasy space between perception and reality through a blend of atmospheric hip-hop, dark R&B, and cinematic alt-pop. The global independent artist’s work
Consuming in its simultaneous depictions of a personal journey and a confiscated jade plant, “Industrial Grinder” is an enthralling track from Storylike. The serene lead introspection lends a more pop-forward sound typical
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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