Following the striking success “Stuck,” NYC artist Mark Evich again impresses with the suavely infectious “Backseat Love.” A swanky initial beat gives way to jazzy piano vibes just following the one-minute mark,
New Tracks
“Queen of the Sky” is a moving folk effort, featuring strings and dual-layered vocals in addition to the brooding acoustics. The track comes from Vancouver singer/songwriter DG Adams’ latest album, Nest of
Erich Mrak has thoroughly impressed in the past with a number of tracks, , and his new track “Fake It” succeeds as well. A follow-up to previously featured tracks “Navigate” and “Drive,”
“Lewis” is an understated, beautiful track with jangly guitar-pop appeal from Teal Moss, the project of writer/producer Steven Fischer. This track comes via the Denton, TX-based (though soon moving to Los Angeles)
“The Work” begins with murky engrossment, as lingering strings permeate alongside minimalist percussion and sporadic vocals. Exuberant brass emerges from the darkness, for just a moment, shortly after the one-minute mark. By
Aubrey Plaza by Ugly Ghost Described as a track that’s “about the moments you miss when you aren’t present in the moments you’re in,” “Aubrey Plaza” is a consuming new track from
UK guitarist and multi-instrumentalist Will Newman impresses on new track “Bite My Lip,” touting an aesthetic that successfully merges several stylistic influences. There’s a shoegaze-y feel apparent in the gliding guitars and
Casey Chandler’s Galapaghost project again impresses with “Jellyfish,” where aquatic, twinkling synths combine with mellow vocals for a very pleasant listen. Whereas the project had a prior emphasis on more folk-leaning sounds,
New Albums
Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
More
An excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
More
Cologne-based duo Kitbuilders return with Stupid Games, unveiling a striking hybrid of electro, new wave, IDM, and beyond. This release marks a
More
On the sophomore album HELIX, Cole Lumpkin delivers a self-produced masterclass in resilience and eclectic charm. Written and performed entirely by Lumpkin,
More