“Fear Itself” is a track released today from Overhand Sam, touting an enjoyable sound with throwback rock and pop schematics. Deerhunter and early Ariel Pink are enjoyable reference points, aesthetically. Psych-friendly keys
New Tracks
Written and recorded in a Brooklyn apartment, “My Friend” is described by Waterfall Strainer as “a song about getting out of your head and enjoying the people around you.” Nick Stola’s songwriting
Releasing today alongside Haley Urbo’s debut EP, Iridescent, “Dizzy” is a soulful and creative track that nicely emphasizes Urbo’s standout aesthetic. With shades of Flying Lotus and Thundercat apparent in the backing
“Consider the Crown” exhibits a catchy vein of spacey pop, courtesy of The Landing. The New York-based project impressed last year with the track “Keep Lookin’ Up.” Today, The Landing continues that
“Time” is a beautifully consuming track from Cardinal Bloom, a band from Salt Lake City with a talent for textured rock. “Time” dabbles in the psych-rock and dream-pop realms, growing from quaintly
“Sunsets” is a recent track from Bambii, an artist from Gainesville, Florida specializing in a chilled-out vein of pop. “Sunsets” follows last year’s Dreamache EP. A gently pulsing synth loop complements dazed
Showing a dreamy shoegaze-forward sound, “You’re Right” is a track off Houston-based GLIA’s new album 10,000 Plateaus. Reverbed guitars cast a melancholic feel initially, with a post-punk rhythmic reverberation backing up. Vocals
Bouncy keys and a melodic vocal flow lead throughout “Keeper,” a track from Huey Manson, an artist from Madison, WI. “Keeper” comes via the new EP The Last DEMO, which touts the
New Albums
Swedish musician and producer Kristoffer Ragnstam, who records as They Owe Us, has spent over two decades in the alternative scene, supporting
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Stereotyping is the latest album from electronic artist Marek De Vann, also featuring Hammond organist Paolo Apollo Negri, released via influential Italian
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In The End is an emotionally raw EP from Australian outsider artist Hurb Jephasun, drawing on decades spent in Sydney’s underground music
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More People Than Teeth is the debut album from South London folk-punk band The Early Swerve, pairing infectious melodies, acoustic instrumentation, violin,
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