Niki Moss’ “Soylent Green” remains one of my favorite tracks this year — absurdly catchy in its entirety, from the smooth guitar-led verses to the synth-stomping hook. Naturally, I’m very excited for
New Tracks
“Set In Stone” impresses on several fronts — perhaps most notably in the striking, soaring vocals of Floriane Hu. The track is thoroughly gripping with its songwriting and atmosphere, the combination of
Inspired by the Netflix series Stranger Things, “Waiting” is a new track from Icelandic/Dutch act FOSS. Touting a very nocturnal feel, dreamy guitars and serene vocals lead the way. A bass-led segment
“Timeless” is a consuming track from Hanford Flyover, a British-American trio based in the English Midlands. Formed in 2017, the act is influenced by names like Pink Floyd, The Doors, and King
Nic Pool is an artist from Tucson, Arizona, whose new track “Rockets” captivates in its development from spacious murkiness to gliding guitars and rhythmic perkiness. The soaring vocals are a continuous element
“Coma” is an adventurous track from John Clark, touting a neo-psychedelic approach with ample tonal variety. The initial showing is barebones, with nothing more than a twangy guitar lead and ardent vocals.
Mah-Ze-Tar is the project of Maz Karandish, who channels his love for world music into an engrossing sound — one traversing across everything from “Raga, Maqam, and Dastgah to Harmony, Jazz, and
After impressing with her track “Swayed” last month, Elza is back with another success in “Endeavor”. Here, the Canadian solo artist pursues a more contemplative sound, more in the vein of Portishead.
New Albums
Self Help Manual, the captivating new album from AUTORHYTHM, traverses lush, scenic electronic terrains, often accompanied by infectious percussive pulses. The electronic
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Tsubasa Lucid‘s concept album Leave Her to Heaven, Leave Him to London chronicles his London years through a unique blend of country,
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An enamoring, hook-filled rock sound shines on White Magic, the debut album from Los Angeles-based act HOLLYWAND. Guitar-driven energy pairs with poetic
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Todd Adelman and the Woodsmen‘s self-titled album delivers an authentic, organic blend of country and rock and roll. Rooted in honest, working-class
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