Nashville-based artist Thad Kopec unveils an intimate, haunting sound on the engrossing new track “Mirror.” Acoustical trickles and a lush key progression accompany his mellow vocals to start, transitioning around 01:30 to
New Tracks
Henry Hall’s latest is a moving crooner featuring creaky acoustics and piano smatterings, reminiscent aesthetically of Grizzly Bear. From brisk hook-filled rockers like “Comfort Zone” to quainter more folk-inclined efforts like “Missing
I first caught onto John War with his stylish, atmospheric cover of Glen Campbell’s “Wichita Lineman” a couple years ago. It was a nice showcase of his aesthetic, which is continued with
“Security” is a newly released track from Vienna-based trio The Faded North, the second single off their new EP What Did I Miss?, also releasing this month. Comprised of immigrants from the
“Bet” is a catchy, soulful track from Minneapolis-based hip-hop group iLLism, off their second studio album iLLuminate. The husband-wife duo have been rising since becoming a top three finalist in Prince’s Paisley
Villows returns with another successful track in “Revel.” The effort touts a danceable, club-laden chorus that plays effectively off the suave verses, led by trickling guitars and a warbled synth lead. The
Seattle trio Peyote Ugly produce a psych-friendly sound steeped in hypnotic guitars and synths. “Jackdaw” is the opening track off their recently released EP of the same name, streaming in full below.
The Blue are a rising act that impress with new track “Harley.” A catchy, straightforward beginning features pleasant vocals and pop-friendly guitar work. It builds to great heights, though. The track’s power
New Albums
London-based artist HAAi mixes club-set energy and stylish pop ingenuity on DIGITiSE, a new album influenced by the physical energy of DJ
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Newly released EP Move The Mountains showcases Australian singer-songwriter Jack Biilmann’s lived-in blend of blues, rock, and country, showcasing the struggles, relationships,
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Nashville-based singer-songwriter Jay Putty explores the many forms of love on The People I Loved And Have Loved Me Back, a six-song
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Chicago-based singer-songwriter Sacha Mullin embraces a stylish pop-forward direction on Social Touch, his fourth album, balancing art-rock sophistication with sleek synth-pop hooks
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