We’re happy to premiere to Born Again Virgins’ haunting, beautifully developed track “No Alibi”. The Austin, Texas-based act will release their first EP on May 19th, and from this track it’s easy
New Tracks
Los Angeles-based Rhyan Riesgo, aka Todavia, impressed last June with the track “Baby“, a gorgeous piece of shoegaze/dream-pop that was melodically carressing. Todavia just released a new album, Shyness, today — the
Los Angeles-based Wild Year craft nostalgic synth-pop, though new track “Twitching + Teasing” certainly showcases a more rock-leaning side where soaring vocals, shimmering guitars, and brisk percussion makes for an enticing sound
“Not Over You” is the final single off Memoryy’s excellent new album, Skeletons. It’s a shining moment on a release full of them, with this in particular showcasing Memoryy’s ability to channel
SIDIZEN KING’s January single, “Stuck in the Middle”, was a strong showing of electronica and hip-hop cohesion, with a hook-y chorus and smooth verses showcasing a playful vocal presence and swelling electro-pop
I’m generally not keen on posting remixes, but if it’s truly bringing something new to the fold – and melodically consuming – then I’m game. Shoffy’s remix of Calvin Harris’ “Slide” fits
“Hide” is a stunning, meticulously layered track from REIGHNBEAU, the project of Albuquerque-based visual and sound artist Bryce Hample. The track, off his upcoming EP of the same name, works around the
“Strawberry Hair” is a twangy slice of melodic pop from Madeleine Mayi. Her vocals, simultaneously serene and chirpy, maneuver with suave melodic precision throughout. The bridge, led by a psych-friendly vocal interlude
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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