“Young, Wild & Reckless” plays off vibin’ strings, brass flourishes, and a precisely rhythmic backing vocal sample to create an infectious beat, a perfect complement to the deliveries of Kid Kold, Philadelphia

I’m not really keen on posting covers, and especially those of famous tracks, but I’m always fond of orchestral ambitions taking hold of more pop and rock-oriented originals. Classically trained Atlanta alternative

Tropic Harbour made an impressive introduction to the world with “Glowing Eyes” about two months ago, showcasing a sound that resembled Johnny Marr playing guitar on a Wild Nothing track. It was

“Old Amsterdam” places listeners into nocturnal city streets, with the glistening harps, funk bass, late-night brass and sonorous vocals making for a very enticing and illustrious sound. The track is the new

“Cold Car” is a twinkling new effort from The Edward Furlongs, who impressed previously with “Nagasaki“, a faster-moving piece with Beirut-like brass flourishes. “Cold Car” is a bit more scaled-back, allowing a

Mark Bacino produces an immediately likable vein of power-pop, which on “Not That Guy” reminds me lovingly of the bouncy keyboard/guitar-led sounds of Jellyfish, particularly on their underrated classic Spilt Milk. The

Bartholin is the duo of Drew Danburry and Cat Leavy, with a seemingly lofty aim of exploring “the Freudian subconscious.” Their self-titled EP, out September 29th, features the excellent “Paraphones”, which works

Los Angeles-based folk/dream-pop act Hannah Telle produces an elegantly hypnotic sound on new track “Hollow Glow”, which is also the title of her first album, out September 21st. A native of Shelby,