Future Myth are a four-piece from San Jose who are releasing their debut EP, Flashbulb Memories, on January 29th. Their first two singles, “Little Voice” and “Cold Season”, show the group as
New Tracks
Swiss electronic artist Henri de Saussure performs under the name Lärmheim, producing a very impressive form of experimental electronica that conjures striking atmospheres and melodically stirring developments. Lärmheim’s past experience in a
SO (Standing Ovation) produce an oddly infectious form of organic hip-hop that reminds of both Andre 3000’s charisma and the spaced-out intensity of Odd Future’s beats. Consisting of Virginia-based producer Bronze Baby
Ironwoods by Ironwoods Ironwoods are a band from Hawaii who just put out a very impressive eponymous album. Their combination of dexterous math-rock and alt-rock remind of The Wrens and Modest Mouse, especially with the
Native Color are a new act from Denver with an energetic punk-laden art-rock sound that lends favorable comparisons to Arctic Monkeys and ¡Forward, Russia!. New single “American Wasteland” wastes no time, launching
Bryan Deister’s new album, Spines of the Heart, is a sprawling 22-track journey that treks the enjoyably dark corners of his classical-inspired electro-pop. With his classically trained pedigree showing well, Deister’s sound
Since their 2011 debut, Oakland-based group Idiot Grins have gradually infused R&B and soul into their sound, genres all five members share a mutual fondness for. Their new album Big Man was
“Dusk and Dawn” is a very pleasant track from Belfast-based four-piece Hurdles, who released the track as a single release ahead of their new EP, out February 1st. Warbly synths, cooing vocals,
New Albums
Washington, DC-based band Broke Royals explores a wide spectrum of sounds on their new album Campr, spanning enjoyable realms of rousingly anthemic
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Montreal-based project blind dogs of the sun craft a consuming sound on their new album This City Never Sleeps, succeeding in its
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Santa Cruz–based artist Brock Davis crafts an intimately personal array of captivating songwriting on Nothing Lasts Forever, a deeply lived-in album shaped
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Thomas O’Shea‘s new album Generation Z blends dynamic piano-pop atmospherics with candid lyricism, tackling artistic self-doubt, digital-age anxiety, and generational pressure. From
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