With “Kill Me”, Fred Colombo conjures up a nocturnal and emotional synth-pop sound, with a stirring build-up and spoken-word verse/melodic chorus structure reminiscent of Pet Shop Boys. The vocal approach reminds of
New Tracks
Alexandra is an alt-rock artist from Australia who infuses both pop immediacy and full-throttle intensity in her sound, which is shown well on “Criminal” – where her furious, fast-paced delivery is nicely
Hazy psych-addled layers of guitar combine with a lush swelling rhythmic backing to craft a very enticing intro for Ian Aware’s “Window”, a fun track propelled even further by the fun and
“The End of the World With You” begins spaciously — with a stirring orchestra of sorts, and a swelling series of horns that reflect a rising sun (at least in my mind).
After moving from Russia to Toronto when he was 12, psych-rocker Galkin began diving headfirst into writing and producing music on his own. “Waiting in the Wings”, from his debut Chagrin Seasons,
“Night Marchers” was Rob Reinfurt’s introduction to avant-groove group Medeski, Martin and Wood, a project that has ultimately influenced Reinfurt’s approach to music as a songwriter in a profound way. Ten years
Beginning with loose percussion and swanky bluesy minimalism featuring occasional chimes and guitar twangs, “High” immediately shows itself as an atmospherically consuming success. Cali Blake’s range-flexing “hi-iii-iii-gh” hook is effective each time,
Port of Est impressed a few months back with their Valentines Day single, a consuming dark electro-pop track with hints of The Knife and Massive Attack. Hannah Tarkinson’s melodically precise vocals floateded in ethereal
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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