By jumping from experimentation to nostalgia and back again, Wavves' King of the Beach can match and will possibly eclipse the success of last
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Though it offers the witty quips and melodic hooks one comes to expect from The-Dream, his third album is not a risk-free production. His
The King Khan & BBQ Show's break-up last week in Daegu, South Korea was raucously entertaining, much like the garage-rockers' renowned shows. Jay Mattson
The vocals on Viernes‘ debut full-length, Sinister Devices, rarely escalate beyond a whisper. This technique is a recently trendy choice within electronic music’s spreading
Kamp! are a sight to behold. They are on the cusp of an global breakthrough, yet at the moment remain confined to a Polish
Max Fishkin provides a second look at Tokyo Police Club's new album, Champ, to follow up our earlier interview of their keyboardist, Graham Wright.
The Divine Comedy's tenth album, Bang Goes the Knighthood, offers no surprises for longtime fans. As usual, Hannon's wit and playful observations find success
Pop music formed by ’60s girl groups are often subjected to ancient stereotypes. Joyous harmonies, lyrics consisting of nothing more than multiply layered “doo-wop-da-doo-wop”s,
A sit down with the two sisters behind Swedish phenomenon First Aid Kit reveals details about their childhood, rise to recognition, songwriting process, and
After dozens of hand-crafted releases, Ariel Pink has emerged with an exceptional album that polishes up his lo-fi production values without sacrificing the ingenious
