Melbourne rockers Covers impressed last year with the track “The Automation“, which touted an infectious mixture of fuzzy synths, punchy guitars, and whirring keys. A proper comparison then was as if Blonde Redhead’s laid-back
New Tracks
Toronto-based Stevie Bucks is a 21-year-old hip-hop artist with a promising sound that touts an old-school flair, as evidenced on the personal “A Little Bit of Peace”. Opting for a sincere delivery over
“Playground Dreams” is a very infectious track from Paper Days, an indie-rock group out of sunny California with touches of garage-rock and post-punk. The latter two stylistic influences are particularly present in the
Chemists is the atmospheric electronic project of Virginia-based songwriter/producer Danny Bozella. On the gorgeous “Heirloom Luna”, his tranquil vocals sway over a psychedelic assortment of twinkling chimes, warm synth-pads, and obscured instrumental samples.
Nebulae by Heylel Fresh off the featured dark alt-rock of The Lost Poets, Portugal-based rockers Heylel produce a similar edge, but with an added emphasis of gothic metal and female-fronted vocals. The group formed in
TV Girl have impressed several times already with their sample-laden pop, its approach ranging from the nostalgic bite of 2011 release Benny and the Jetts to the infectious key-forward pop of 2013’s Lonely Women EP.
Swedish rockers The Lost Poets deliver a dark mold of alternative-rock that reminds of acts like A Perfect Circle, Queens of the Stone Age, and Nick Cave. Compared to other dark alt-rockers, The
A few years ago, I lived in Hoboken, NJ. Despite the high rents (which was the main reason I moved), it was a nice place to live. It’s pretty quiet, as far
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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