The lovely “Here To Stay” reminds me very favorably of sophisti-pop in the vein of Prefab Sprout, both in its grandiose scope and melodic lushness. As such, the track from The Late
New Tracks
With a crisp-clean alternative-pop sound that seems at least partly driven by John Frusciante-inspired guitar stylings, Mleo (muh-lee-oh) treads an enjoyable line between radio-friendly sensibilities and more off-beat yet admirable guitar-led atmospheric constructions.
With a haunting piano lead quickly accompanied by strings and synth trickles, “In My Dreams” is enthralling from the get-go. Fluid vocals flow smoothly over the piano and synths, with the bridge
One of my favorite groups, Wild Nothing, just announced they’ll have a new album out next year. Life of Pause will be released on February 19th and can be pre-ordered here. It’s
Taking a cue from lushly melodic gems from various genres, from the Beatles and Tame Impala to J Dilla and Frank Ocean, Jon Holt crafts entrancing music under the alias LEO. Based
The Wind’s 2011 album Harum Scarum was one of my favorite user submissions in this site’s nine-year history. The double-album was surprisingly accessible despite its length, thanks to a sound that masterfully merged the classic-rock
With the track “Han Sow”, Colombian producer Leonardo Suárez Jiménez is in complete control of textural development; his ability to infuse samples – ranging from everyday life sounds to exotic string instruments
With spurts of brass adorning Anna-Maria Nemetz’s passionate vocals, B.O.X.E.R.’s “Issue No5” is an immediately striking track. The dark-pop production and meshes wonderfully with the various brass accompaniments, which are delivered suavely in
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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