New Tracks

Jody Ellen – “Imprinted”

Exuding a dreamily absorbing entrancement, “Imprinted” is a resonating new track from Jody Ellen, who took inspiration from “a dream where someone I loved shot me in the chest – a metaphor

Sssstephen! – “DMZ”

Blending psych-pop and indietronica with its infusion of jangly guitars and slight synths, “DMZ” is a standout new track from Sssstephen!, the project of singer-songwriter Stephen Polanco, who is originally from Austin,

Ryan Shephard – “Atom Bomb”

The opening track on Ryan Shephard‘s debut album, Head Games, “Atom Bomb” is a fervent rock success that pairs psychedelic introspection and raucously enjoyable tones with cohesive immersion. The Chicago-based artist excels

Stuart Ironside – “blow the man down, johnny”

A riveting folk success, “blow the man down, johnny” is the second single from Stuart Ironside‘s new album, Music from Somewhere Else: The Enclosure. Playing like a traditional sea shanty within a

Omer Netzer – “Holiday Blues”

Conveying the holiday season’s many emotions through both descriptive festivity and melancholic yearning, “Holiday Blues” is a memorable new track from Omer Netzer. The Nashville-based singer-songwriter recently caught our ears with his

Martin Lloyd Howard – “Unanswered”

A beautiful track driven by the warming tones of Martin Lloyd Howard‘s 50-year-old classical guitar, “Unanswered” combines impressive musicianship with an approachably melodic delivery. The caressing nylon strings convey a lushly absorbing

Samuel Campoli – “Every Time”

A lush, jangly charmer from Brooklyn-based artist Samuel Campoli, “Every Time” is amongst the many highlights on his newly released EP, Going to Places. The EP as a whole dazzles across both

Noble Hops – “The Trunk”

“The Trunk” is a personal, impactful rocker from Noble Hops, a reflective new single whose release was aptly aligned with Veterans Day. Utah Burgess’ vivid narrative-driven songwriting consumes throughout — exuding a

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New Albums

Rina Kharrasova – ‘Ravel: Sonatine’

Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate

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