A heartfelt rocker depicting the overwhelming tendency of noisy internal dialogue, “Quiet Ghost” is a stirring track from Josh Raines, the project from Nashville-based producer and songwriter Josh Wienczkowski. “I wrote this
New Tracks
Post-punk rhythms and art-rock ferocity intertwine on “Sling It Back,” a memorable new track from Color Of Noise. The artist describes the single as “about recovering from the past surrounded by those
Captivating in its moody sophisti-pop production and personal themes, “I Believe” is a resonating success from Austin, TX-based artist Alex Hartley. Dazzling in its harmonious vocal layers and evolving instrumentation, treading from
Described as “a song about choosing life over isolation,” “If We Don’t Go Out Tonight” is the latest single from Social Creatures, marking their first release with Mint 400 Records. Coming via
A rousing rock success with whirring, warm guitar tones and multi-layered anthemic vocals, “Hair” comes via NYC-based band Crab, continuing the impressive sound captured on last year’s EP, ApeApeApeApeApe. Drawing from influences
A dreamy pop track taking influence from ’80s nostalgia, “Low Light Neon Dream” is a memorable output from Canadian project ICELANDIA. Serene keys and airy vocal chills open the track with alluring,
Another fantastic track from Cody Piper, “Rain Man” compels with its heartfelt, soul-searching lyricism and dynamic instrumentation, delighting in its psychedelic synth work and harmonious vocal layers. A psych-pop warmth ensues, pairing
“So Embarrassed” is a spirited pop-rock success from South Montana. Featuring Chuck Fyn, the track navigates from thumping bass into vibrant electric guitar, bolstered by a charismatic vocal presence. “My heart beat
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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