Manchester-based quartet Church Party show stellar versatility on “Back In The Room,” a new single whose rock, post-punk, and funk convergence results in a hook-filled sound with attitude. With its verses described
New Tracks
Engaging with its breezy guitar affections and warming vocal reassurances, “List” is a new single from Max Bien Kahn. Kahn describes the effort as “about getting through your day one little task
Miami-based quartet FOXGLOVES show a menacing rock engrossment throughout “Descender,” a track whose brooding introspection immerses with both dreamily climactic intrigue and chaotic invigoration. A swampy blast of guitars sends chills from
Described as “a song born out of losing control,” “idk what idk” is a darkly captivating effort from Hoovy. With its initial guitar progression exuding an alt-rock nostalgia in its reminiscence to
Brooklyn-based band Tell impress with “Tea Leaf,” the third single via their forthcoming EP. An intriguing rock build envelops, as a garage-friendly spontaneity traverses into a satiating twist. “Steady as she goes,”
Salt Lake City-based new wave indie, grunge-esque band Pale Dream dropped their latest single “Something Tells Me.” Scattered with the art of nostalgia and archived footage that looks and sounds fresh out
Baltimore-based singer/songwriter Adam Randy struts a throwback appeal with “Don’t Play,” whose new-wave and pop/rock integrations remind fondly of Squeeze. A pulsing guitar presence and peppy synth adornments complement a steady vocal
A track from NYC band Strawberry Blonde, “Rearview” grips with an emotive rock sound that expands from lush yearning into a cathartic, brass-touched soaring. “Falling down, crashed landing,” the vocals let out
New Albums
Chilean band The Deadly Affair unveil an enjoyably ominous, darkly atmospheric sound across their debut album, Visions Through The Sense of Silence.
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An alluringly heartfelt synth-pop sound compels throughout Fabulously Melancholy, the newly released album from Plastic Hacks. A Philadelphia-based project comprising identical twins
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Bones’n’Stones the compelling new album from Teika & The Raw Beat, a band led by the riveting songwriting of Berlin-based artist Mateja
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Block‘s 2006 album The Last Single Guy drew ample praise for its immersive anti-folk sound — spanning from the brass-laden spoken-word introspection
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