“Caesium” is a climactic blast of ’90s alt-rock nostalgia from Big Surprise, the Oakland-based duo of Arthur Leon Adams III and Kathryn Evangeline Adams. Citing textured rock influences like Mazzy Star, Low,
New Tracks
A fervent garage-rock appeal lingers throughout “Ghost Song,” the new track from Brooklyn-based band Mooncult. The first of six singles from the quartet this year, “Ghost Song” is an anthemic thriller with
Consequence of Fear by Karyn Ann Enamoring with a hooky and anthemic ’80s dark rock and pop intertwining, “Consequence of Fear” is a gripping new track from Karyn Ann, an artist from
The glistening, hypnotic “Here We Are Always” is a new single from Jacob Bills, an artist who recently relocated to London following 20 years in the NYC underground scene. The track precedes
Swedish artist Emanuel Tägil has had a very productive past few months, releasing a myriad of singles that emphasize his gripping electronic pop sound — propelled by a uniquely impactful vocal delivery
Odes is an album from collective The Flowers of Hell that pays tribute to their array of influences — ranging from Bob Dylan and The Velvet Underground to Stereolab and Neutral Milk
NYC artist Les Techno again delivers a stellar, melodically unveiling track in “Make You Feel Good,” which he describes as “loosely based on something I know too much about.” The debonair vocal
Enjoy the Weather by Nice World “Enjoy the Weather” is a standout new track from Santa Rosa-based band Nice World. Moody guitar jangles and a driving bass pulse intertwine with Anna Rose’s
New Albums
Chilean band The Deadly Affair unveil an enjoyably ominous, darkly atmospheric sound across their debut album, Visions Through The Sense of Silence.
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An alluringly heartfelt synth-pop sound compels throughout Fabulously Melancholy, the newly released album from Plastic Hacks. A Philadelphia-based project comprising identical twins
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Bones’n’Stones the compelling new album from Teika & The Raw Beat, a band led by the riveting songwriting of Berlin-based artist Mateja
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Block‘s 2006 album The Last Single Guy drew ample praise for its immersive anti-folk sound — spanning from the brass-laden spoken-word introspection
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