A single from Tom Tikka & The Missing Hubcaps and The Star Prairie Project, “California Smile” represents the first of two collaborative singles from the artists. “It’s a song about a guy
New Tracks
Oakland-based rockers The Hot Takes unveil a fun, anthemic sound throughout their second EP, The Hot Takes II. Acclaimed for their spirited live performances the past couple years around the Bay Area,
Lesley Gore’s signature track “You Don’t Own Me” was a success upon its original 1963 release, presenting a soaring and melodic feminist anthem that continues to be revered today, appearing frequently in
Brussels-based artist Factheory unleashes a compelling industrial-rock sound on new single “Post Modern Life.” Thunderous guitar distortion and submerged vocal eeriness kickstart a stylish rock intrigue to start. Lyrical references to reality
“In Continuum” is an angst-y new-wave envisioning from Midnight Spies, firmly succeeding in a production that balances moody immersion and hooky immediacy. A trickling guitar momentum appears initially, full of ’80s nostalgia,
Austin, TX-based artist Sundozer captivates on new single “Still Life,” unveiling a thumping psych-rock momentum that swells from dreamy synth intrigue into a pulsating intensity. The track precedes the upcoming Death Bloom
A warming, summer-set glow complements the introspective folk appeal of "Tongue-Tied," a new single from Oscilla, the duo of singer/songwriter Frances England and producer Omar Akrouche.
A dynamic rock enthrallment shows throughout “Lion In My Backyard,” which represents the debut single from The Blindfolded SeaMonkeys, the Ohio-based project of Dan Whammy. “There’s a lion in my backyard,” the
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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