New Tracks

The Second Summer – “Try”

Chicago-based band The Second Summer meld a peppy, spirited rock allure with shoegaze-y textures on recent single “Try.” Jangling guitars complement an initial vocal introspection — letting out “heard you’re moving on

Kallai – “Falling”

Portland, OR-based quartet Kallai continue to impress with a rock and shoegaze cohesion on “Falling,” a track that swirls together caressing textures and palpable emotion. Cascading guitars, subtle piano touches, and shimmering

Nata – “Wake Me Up”

Paris-based duo Nata crafts an artful pop momentum on “Wake Me Up,” traversing seamlessly from a dark, haunting introspection into a vibrant central hook — exuding a title-touting allure amidst radiant synth

Digging for Kanky – “Send Me Away”

Manchester-based trio Digging for Kanky deliver a shadowy, intoxicating atmosphere on their new single “Send Me Away,” a track that thrives on tension and release. Blending trip hop grit with downtempo pop

Karen Salicath Jamali – “Angel Gabriels Light”

A hopeful, beautifully serene piano-driven sound compels on “Angel Gabriels Light,” a recently released single from Karen Salicath Jamali. Her track “Angel Raphaels Touch” caught our ears in July with its lushly

Fallin’ Astronauts – “Higher”

Vienna-based duo Fallin’ Astronauts craft a soaring, lush pop power on new single “Higher,” coming ahead of their upcoming MONO EP, out in October. The track’s production excels in its catchy vocal

My Life As A Moth – “Time Thief”

A brooding, nocturnal alt-pop energy shines on “Time Thief,” a standout new track from singer-songwriter My Life As A Moth — representing the first single from her forthcoming album, The Parade Of

Olina – “Tug of War”

London-based artist Olina showcases a rousing, expansive sound on her latest single “Tug of War,” which expands seamlessly from subdued acoustic-forward folk into emotive incorporations of vibrant strings and harmonious vocal layers,

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New Albums

Rina Kharrasova – ‘Ravel: Sonatine’

Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate

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