New Tracks

Adjective Animal – “Everybody Hide”

A recent track from Adjective Animal, the solo project of Jon Birkholz, “Everybody Hide” allures with a melodic vocal lead and hazy guitars. Its chorus — “hide in your hobbies,” — reflects

Eric H. F. Law – “Don’t Be Afraid”

The opening track on Better Angels, the new album from Eric H. F. Law, “Don’t Be Afraid” touts considerable stylistic charm. A brooding vocal lead is complemented by snarling guitars and backing

Pat Absent – “Nothing”

Reminding me fondly of The Psychedelic Furs, “Nothing” is a track from Richmond, VA-based musician Pat Absent, off the new album Tangible Absence. Weary vocals and jangly guitars craft a climactic, murky

Bushwick Blooze Band – “Waiting”

“Waiting” is a raucously enjoyable track from Bushwick Blooze Band, a blues-rock trio. Although the band often features vocals in their material, “Waiting” is an instrumental piece, focusing on guitar work, particularly

SONI – “Savage” (ft. Izzy Austin)

Previously impressing with the tracks “Happy to Serve” and “Dance With Me,” California-based artist SONI shows well again with the track “Savage,” featuring Izzy Austin. SONI’s convergence of soul, R&B, and pop

Solomon Sprenger – “Green Bean”

The playfully hypnotic “Green Bean” is a memorable new track from Solomon Sprenger, off his new album, Say What You Know. The suave initial vocal momentum and synth-laden flashes remind fondly of

Reed Gaines – “To Be Lonely”

“To Be Lonely” is the latest track from Nashville-based artist Reed Gaines. Touting ample mood and soulful charisma, the track grooves with convincing replay-inducing appeal. Nocturnal, minimalist piano tones past the two-minute

Votive Crown – “Tarnish”

Lushly engrossing, “Tarnish” is a new track from Brooklyn-based act Votive Crown, who impressed in March with “Prize Possession.” Thematically taking inspiration from the Greek myth of Echo and Narcissus, “Tarnish” succeeds

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New Albums

Áron Porteleki – ‘Smearing’

Hungarian artist Áron Porteleki presents a deeply memorable sound across Smearing, a debut solo studio production that serves as a “sonic manifestation,”

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