A single out today from Toronto-based band Madame Psychosis, “Concrete Streets” resonates in its spirited call for breaking free from the grind — aligning well with the band’s anthemic rock inclinations. “We
New Tracks
Glastonbury-based artist Dean Carter crafts a lushly inviting soundscape throughout “Hyacinth,” a track off the new album Songs Without Words, Vol. 2. The release boasts a dozen instrumental delights, emphasizing the artist’s
A shimmering, twangy infusing of pop and rock, “Too Late” is a single from Hereford, UK-based artist Bastie. The effort marks his first collaboration with producer Brett Shaw (Florence And the Machine,
Singer/songwriter Patrick Ames shows well on two single releases this week, impressing with the grooving soulfulness of “Young and Amorous” and the introspective folk within “I Was Thinking.” The versatile Ames continues
A hooky fusing of piano and guitars stir with emotive appeal on “Stand and Deliver,” the latest single from Oklahoma City-based band Blueprint Tokyo. They impressed earlier this year, with the Cinema
“Attraction” is another stellar, hooky single from Wild Horse, the Brighton-based trio who have already caught our ears this year with the tracks “Cougar” and “Do You Wanna Talk.” Their fifth single
NYC artist Amanda Brecker touts an atmospheric ’80s nostalgia with pop and rock appeal on new single “Wrong Again,” co-written with the artist Daniel Jakubovic. Emitting a tale of unrequited love, the
A riveting new single from German-Irish songwriter singer/songwriter Sinéad Ann, “Four Walls” balances introspective folk and passionately soaring rock escalation. Creeping strings build into mellow keys and soulful vocals, emitting feelings of
New Albums
James Keith brings an upbeat country-rock spirit to I Call It Magic When I’m With You, a fourteen-track album celebrating the joys
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Dutch electronic duo Tangent return with Disclosure, their seventh album and first in three years, expanding their shadowy IDM sound through tactile
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London-based producer Ani On Keys showcases an intersection of Carnatic tradition and contemporary electronic music on Liminal Frequencies, a four-track EP blending
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Nathaniel Sutton’s excellent new album The Days weaves between dynamic full-band arrangements and more introspective acoustic moments. Across its reflections on growing
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