New Tracks

The background world – “Why”

Described by the band as “a song about the bipolar nature of emotions,” “Why” is a melodic new single from Swedish act The background world. The seven-piece was originally formed in 2017

True Indigo – “Go Getter”

Aptly described by the band as a “psychedelic hype song,” “Go Getter” is a catchy single from True Indigo, an act led by Oscar Webber and Tyler Oden. They explain: “The idea

Ellereve – “Photographs”

“Photographs” is the eerily consuming new track from Ellereve, the alias of Bavarian singer-songwriter Elisa Giulia Teschner. “My songs are still mostly written late at night, in my living room, when a

Rare Kreature – “Nowhere Seen”

Phoenix-based trio Rare Kreature enthrall with a driving ’80s nostalgia on new track “Nowhere Seen,” which showcases the band’s consuming post-punk revivalism and synth-laden integrations. New-wave and goth-rock inspirations play enjoyably throughout,

James Something – ‘The World’ EP

Enter The World of Toronto-based artist James Something, whose new EP unveils a creative electronic sound ranging from the thumping electro-pop of “Formless” to the atmospheric escapism of the title track. The

Departure – “Perrenque”

A haunting new single from London-based artist Departure, “Perrenque” embraces a late-night electronic character in its consuming production. The track represents Departure’s fourth release this year, including previously featured track “Fresco, parce.”

William Sanford – Boomer Vibe “Sessions”

A colorful blast from the past, Boomer Vibe “Sessions” is a consuming new album from William Sanford. Hailing from the NW Indiana/ Chicago-land area, Sanford’s inspirations are enjoyably vast — touching on

rilles – “Anchor”

A moving debut single from Brooklyn-based artist rilles, “Anchor” enthralls with its atmospheric pop momentum and compelling vocal lead. A murky synthesizer loop caresses amidst pulsing percussion, joined thereafter by a spirited

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New Albums

Arpatle – ‘Stalacs’ EP

Stalacs is a dark ambient experimental EP from Utrecht-based composer Arpatle, the moniker of Patrick Bossink. Utilizing granular delays, 1024 sine tones,

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