In a world filled with strife and animosity, there exists a common yearning to escape into the comforts of another world, at least from time to time. Such emotions are conveyed on
New Tracks
Showing an invigorating rock sound with ’90s nostalgia and DIY punk influence, Stupid Future is the eponymous debut album from the Knoxville, TN-based trio. A spontaneous, sense of unbridled energy is apparent
“So This Is How We Dance” is a tender, powerful track from Denni Ian, the Danish artist who has impressed previously with tracks like “Killer Whales” and “Two Figures.” A solemn piano
A.M.E.N. by Eric Cohen Kansas City-based artist Eric Cohen shows a driving hip-hop sound on “A.M.E.N.,” described by Cohen as a “worship song made for the Glory of God.” Cohen’s mission statement
“No Sweet Dreams” is a new track from Swedish artist Arn-Identified Flying Objects and Alien Friends. Spacey synths gear into enthused whistling and twangy guitars, as lyrics reflect the final breaths of
The captivating “Drop Ceiling” comes from Giveth, a band from Akron, Ohio. A suave bass pulse and mellow synths glide into a more effervescent perkiness; jangly guitars and frolicking synths converge into
Eerie synths and commanding vocals dazzle throughout “Morpheus’ Mercy,” the new single from Barbicop, the project of Maddie Sandri (also singer and guitarist in Dream Parade). Exploring “the negative thoughts triggered by
Rousing with a dynamic rock sound, “Christmas Song” is a new track from Persona 749, the project of Che Landikusic. “I’m coming home for Christmas!” the vocals ring out with exhilaration, leading
New Albums
Leedz Edutainment‘s Hard To Learn is a deeply personal, boom bap-driven concept album exploring survival, addiction, and renewal. Framed by dynamic, melodic
MoreWeaving delicate finger-picked guitars with sweeping orchestral power, Held Here Together showcases Janie Price’s project, Bird, at her most expansive. The release
MoreFusing industrial ingenuity, post-punk intrigue, and unsettling atmospherics, Barren Mother of All is an excellently sprawling double album from Calgary-based solo project
MoreSlithering through psychedelic noir and angular post-punk, Ain’t No Fool is an adventurous 15-track effort from NYC-based The Mortal Prophets. The project
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