Bodywash have proven very capable at crafting moody, consuming soundscapes in the past, from their cover of The Beach Boys’ “All I Wanna Do” to their 2016 track “Nothing At All.” The
New Tracks
New Jersey singer/songwriter Aadams unveils a haunting folk sound on new track “Forever on the Fence.” Released today, the track continues the powerful sound shown on track “Castaway” a couple months ago.
Copenhagen duo Maroc impress again with “Punch Drunk Rich Kid,” showing a style that infuses nocturnal hip-hop beats with an entrancing vibe reminiscent of King Krule. Following up last month’s stellar track
Formed in 2007, in a cabin in the Swedish outbacks, Billy Momo are a band that show infectious appeal on new track “Frozen City.” The track succeeds in two parts; concisely effective
“Memories” is the latest track from CRÈME, released today. The project of Trixie Reiss has impressed with many tracks in the past, and this is one is no exception. Effervescent synth pulsations
Brooklyn folk act The Weird Years emphasize a multitude of strengths on “Ticking Time,” a highlight off their recently released self-titled EP. A quaint, playful acoustic presence aids the lush vocal presence,
Astrolemo impressed last year with the Haunting Me EP and the track “Just Another Lie,” an atmospheric effort with spacey synth arps, bustling trip-hop rhythms and hypnotic vocal effects. The project, which
Released today, “Run for Your Life” is an anti-homophobia synth-rocker from Hallam London, an artist who impressed in 2016 with the track “To the Sky.” Hallam’s anthemic vocal presence is evident from
New Albums
Self Help Manual, the captivating new album from AUTORHYTHM, traverses lush, scenic electronic terrains, often accompanied by infectious percussive pulses. The electronic
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Tsubasa Lucid‘s concept album Leave Her to Heaven, Leave Him to London chronicles his London years through a unique blend of country,
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An enamoring, hook-filled rock sound shines on White Magic, the debut album from Los Angeles-based act HOLLYWAND. Guitar-driven energy pairs with poetic
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Todd Adelman and the Woodsmen‘s self-titled album delivers an authentic, organic blend of country and rock and roll. Rooted in honest, working-class
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