A catchy pop track with samba influence, “Honey.” is a recent release from Louisville-based artist Casey Powell. Powell is joined by vocalist Zlynn Harris, who adds a fantastic dimension to the track;
New Tracks
Future Silence by Future Silence Future Silence are a newly formed band from Chicago, whose self-titled EP spans from fuzzy melodic rock of first single “Kansas Plains” to nocturnal, hazy atmospherics (“The
Presently based in London, Reckless Jacks is a solo project with eclectic appeal. New track “Blossom” exudes a sound reminiscent of ’90s and ’00s alternative. The lead vocal tone is yearning with
Impressing back in 2017 with the pleasantly melodic “Shelby Park,” Vern Matz returns with a lushly entrancing track in “Skyscrapers.” The duo of Daniel Belgrad and Michael Lituchy impress with their naturally
The bustling, melodic “Whoever You Are” is a newly released track from The Titos. The second single from the band’s debut album, The Titos describe “Whoever You Are” as “sort of love
We’re happy to premiere The Brilliance’s soaring track “World Keeps Spinning,” the finale and title track off the duo’s upcoming album, Suite No. 2: World Keeps Spinning: An Antidote to Modern Anxiety,
The latest track from Les Techno, “Edge of the World” exudes charisma and ’80s nostalgia. The “edge of the world,” vocal punctuation combines with eerie guitar tones and a hypnotic rhythm section,
Resurrection Fern’s track “Savanna” is a stirring folk ballad. At just over two minutes, the track emphasizes a subtle percussive build-up alongside hypnotic acoustics and haunting vocals. The artist, Fern, is a
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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