“Apprehension” and “Tranquility” are newly released tracks from Foliage, the jangly pop project of California-based artist Manuel Joseph Walker. A sweetly subdued vocal presence, fluttering guitar jangles, and melodic smarts permeate throughout
New Tracks
Look ahead to tomorrow with “Wednesday,” the latest track from Swedish psych-rockers Marble Mammoth. Previously impressing with tracks “The Light” and “Crack Baby Panic Attack,” the band alternates here between quainter, psych-folk-friendly
“Lonesome” continues to emphasize People Club’s atmospheric production chops, previously evident on the featured track “Better.” Sarah Martin’s vocals remain a riveting presence, especially when rising during the “I don’t mind,” hook.
Having been featured earlier this year with the album Love and Change, Todd Warner Moore shows his prolific and talented songwriting nature with another new album released a few weeks ago: Starry
The emotive “Fade Away” is a stirring track from Aza Nabuko, a 16-year-old multi-instrumentalist with a clear grasp for climactic song development. “Fade Away” is a ballad featuring delicate pianos, ruminating strings,
The self-titled track on J’Moris’ new EP, “SnapChat” is a catchy release from the prolific Fort Worth-based hip-hop artist, featured in the past with tracks like “Pretend” and “Til It’s Gone.” Already
A funky bass line, aquatic synth glistens, and melodic vocal lead launch the successful “End of the World,” a track released today from SAVI MINDS, the project of songwriter/producer Mikale D’Andrea. The
“We Disappeared” is a gem of a psych-folk track from Human Barbie, a project formed in 2018 by Los Angeles-based songwriter Christopher Leopold. Aesthetically reminiscent of The Shins and The Kinks, and
New Albums
matar la luz blends darkwave, post-punk, and dream-pop across Atlanta-based solo artist MatAre‘s latest full-length, balancing brooding guitar work and synth-driven atmosphere
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Delighting in its modular synth textures, escalating rhythms, and gradual shifts in intensity, Latticework is the debut album from Voix Nulle, the
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Spanish artist Santa Ana blends psychedelic guitar work, atmospheric synths, and expressive vocal arrangements across Vagío del 62, a debut album that
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The Clean Crime Scene‘s debut album Raw Cuts moves between gritty guitar rock, swirling psychedelic passages, and layered vocals, showcasing the project’s
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