CRÈME – “YRGM”

September 21, 2018

Hot off the hooky and involved “Beaches” a couple weeks ago, CRÈME is back with another expansive electro-pop success with “YRGM”, which she dubs “probably the most upfront and revealing of the

“Canchita” touts a shimmering, retro-pop vibe with a romantic longing, featuring lyrics in both Spanish and English. The insightful lyrical content, captivating melody, and worldly perspective is nothing new from CANCHES, a

ivoryHAUS – “Clouds”

September 21, 2018

“Clouds” is a serene piece of chill/downtempo electronica from ivoryHAUS, featuring a jazz-y percussive pull in addition to ethereal piano lines and mellow bass. The piano melodies gradually increase in brightness and

Elza – “Swayed”

September 21, 2018

“Swayed” showcases the vocal finesse of Elza, a quivering and unconventional tone that’s reminiscent of The Knife’s Karin Dreijer. The Canadian solo artist showcases a dark and introspective sound on “Swayed” and

LeeSun – “Dry Your Tears”

September 21, 2018

LeeSun is an emerging artist from Leeds (UK) whose new album, Dry Your Tears, released on August 31st. “This album is about how suffering is a part of life,” she says. “Somehow

American High – “Cheye Calvo”

September 21, 2018

Based out of Sacramento, California, American High channel punk and ’60s rock influences in their fun and catchy sound. Their melodies tend to be catchy and vibrant, though often accompanied by lyrical

FayRoy – “Stuck in the Yard”

September 19, 2018

Oh no, oh man by FayRoy “Stuck in the Yard” is the closing track on FayRoy’s new album Oh no, oh man, released this past Friday. Based out of Indian Rocks Beach,

Lavender Blush – “My Pal K”

September 19, 2018

Lavender Blush are a noise-pop act from San Francisco, who embrace “home recording, atmospherics, and analog warmth,” within a sound steeped in shoegaze and post-punk elements. My Bloody Valentine’s influence is evident