Lewis’ L’Amour, 1983

Shades of Springsteen’s Nebraska bristle within Lewis’ subtle yet stunning compositions. He gently plucks his acoustics, touting a bluesy swagger with a touch of

Giles Corey

Dan Barrett’s music plays like a spectre in the night, most effective to the highly attentive and surveyors of the smallest details. It’s something

About Group Start & Complete

About Group’s Start & Complete has flown somewhat under the radar. It is somewhat surprising considering both its quality and the fact it features

Kammerflimmer Kollektief

Throw some Wu-Tang, an orchestra, and Euro-pop into a blender. It would probably taste sour since the differences in expectations surrounding tempo and instrumentation