Los Angeles-based electronic duo Qwhyet expand their hazy, emotionally driven sound into a more dancefloor-focused experience on “WALK BY (Club Version),” reworking a track from their HUSH EP. Fuzzy rhythmic thumps, hypnotic
New Tracks
Rome-based multi-instrumentalist Komaframe pushes toward a more electronic, high-intensity sound on “Overthinking,” unveiling an instrumental rush of urgent synths and electric guitar that excel both on their own and in intertwining segments.
“You’re Not So Human” sees Craigycraig of Fatewell tackle the contradictions of our relationship with technology through infectious synth-pop hooks and a smooth, introspective delivery. Blending coding-inspired lyrical references with a distinctly
“Pain of Us” is an excellent new track from Washington, DC-based artist LTMAA, here exploring the weight of collective suffering through moody trip-hop production, nocturnal electronic textures, and a soulful delivery. Inspired
Anglo-Arab singer-songwriter Layla Kaylif pairs poetic romanticism with cinematic pop on “WALKS ON WATER,” a soulful duet featuring South-East London Alt-R&B artist ISRA3L. Inspired by Syrian poet Nizar Qabbani, the track intertwines
Chennai-based composer Tarita revisits the imaginative wonder of childhood on “The Death of Peter Pan,” a folk-pop offering written nearly two decades ago and now brought to life with renewed production. Gentle
Helsinki-based project Krumbukten makes a striking first impression with “My Heart May Slumber,” a debut single balancing atmospheric alternative rock with ghostly folk intimacy. Twangy guitars, hazy keyboard textures, and stirring backing
“Beautiful Lie” showcases London five-piece The Horn’s flair for cinematic grandeur and melodic British indie sensibilities, pairing Jonny Taylor’s expressive delivery with shimmering guitars, dreamy synths, and soaring strings. Its richly layered
New Albums
Showcasing a punchy rock spirit with compelling coming-of-age narration, Pupal Phase is the four-song debut EP from Lost Grrrl Found, a New
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Experimental electronic textures, industrial dissonance, and hazy pop sensibilities converge on Was It Real or Was It Just Me?, the debut album
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Berlin-based composer, violist, and songwriter r Dina Maccabee steps into the foreground on LMNO, an eight-song album following years of collaboration with
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Augsburg, Germany-based experimental composer Markus Mehr’s WATERSHED EP transforms recordings from the opening days of Russia’s invasion of Ukraine into a stark
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