Morning Myth is the new project of guitarist Ross King and singer Aimee Herbert-Smith. They formed the project in the beginning of this year, their mutual admiration for Cocteau Twins, Slowdive, John
New Tracks
N.ave is a Philadelphia based hip-hop artist and producer whose new EP Black Professional presents some of the finest hip-hop tracks I’ve heard so far this year. The release gives a peak
Grey Watson – an artist from Birmingham, Alabama, presently making music out of Seoul, South Korea – impressed this past December with the stellar track “Radical Passenger“, which explored lushness and a
It’s clear from the get-go that “Lioness” is going to traverse across a variety of genres, with hypnotic doses of late-night brass, sleek pop-forward vocals, and funk-tinged guitar work in the first
Based out of Providence, RI, Raven King craft a sound that takes elements of art-rock and grunge, exemplified on the track “Drool”. The verses feature a guitar crawl at a hazy pace,
NYC art rocker Jason Vitelli recently put out his third full-length, Head Above Tide, which shows his interesting, jazz-laden and rock-infused arrangements alongside stimulating lyrics that tackle issues ranging from politics to
NYC alt-folk artist Tender Glue is the project of Tom Gluewicki, who self-recorded the captivating track “With You Here” – the first single from his forthcoming album Closet Leftovers – in the
Los Angeles electro-pop quartet Wild Year craft a memorable tribute to Twin Peaks‘ tortured soul Laura Palmer with the track “Meanwhile…(Little Spark)”. Cole Morrall’s enchanting vocals glide gently over a steady rhythm
New Albums
Los Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
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Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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An excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
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