San Francisco-based Nick Schott’s new track “Empathic Hunter” begins fairly unassumingly, with a tight funk-tinged rock arsenal. The chorus, though – both in its first entry at 01:01 and second at 02:34
New Tracks
“OLYMPIA” is a bright piece of pop with a spacey allure, with a sound that resembles a hybrid of J-Pop sugar-sweetness with Muse’s spacey, anthemic feel. Either way, it’s a uniquely effervescent
Dome Hall, a five-piece out of Newcastle, achieved acclaim with their debut single “Marske Woods”, going on to secure support slots with the likes of Clean Cut Kid and Frightened Rabbit, in
Premiering yesterday on buzzbands.la, The Federal Empire’s new single “What Are We Fighting For” is a fine effort centered around a stadium-sized chorus and sampled old church choir. The track’s folk-driven bounciness shows
“Seventeen, Baby” is a stunning track from Papyllon, a young band from Prešov, Slovakia. It hooks from the get-go, with late-night brass and a smoothly paced rhythm section establishing the feel. The
Emme is an act from Austin, Texas comprised of vocalist Sowmya Somanath and beatmaker Walter Nichols. Somanath’s vocals are entirely captivating, lush and caressing in allowing the atmospheric beats to flow fully.
“Bad Drug” is a fresh success from Cosmos & Creature, adorned with smooth vocals and summer-y vibes. The track develops from a relatively bare piano adornment, with Molly Moore’s powerful vocals swapping
Matteo Scher has been playing piano since the age of four, picking up violin and guitar as well shortly thereafter. Now, at 20 years old, Matteo is releasing his first fully produced
New Albums
Alt-folk husband and wife duo Pegasuses consume on their new album Sea of Joy, showcasing the Southampton-based act as expanding their intimate,
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The new EP from singer-songwriter, producer, and multi-instrumentalist I Forget Myself, An Exception conveys a strong alternative rock identity with focus and
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field is a lushly inviting piano-led EP from Annstiina, an artist based in Järvenpää, Finland. Previously succeeding in the art pop realm,
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Detroit-based songwriter Daniel Rodak presents his self-titled album as a stripped-back, self-produced statement rooted in folk and folk-rock tradition, recorded just outside
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