“High & Low” is a slab of fuzzy garage-rock brilliance, where suave vocals, a twangy guitar lead, fuzzy rhythmic backing and a swirling organ accompaniment churn out infectious bliss. The creators are

“stingrayface.” is a fun and loose rocker that serves as the closing track from The Bottom Feeders’ self titled debut EP, released in February. The Bottom Feeders blend elements of garage and

I really dug Aubergine Machine – the collaborative project of producer Ian Carey and vocalist Shanti Ellis – upon finding them in the summer of 2014, posting three tracks (“Hostage“, “Hostage Riddim“,

bitter’s kiss previously two featured tracks – the upbeat and spring-y “No One Will” and the lush rainy-day yearning “Love Won’t Make You Cry” – were very well-received on here, and I

LOVING by LOVING LOVING’s gorgeous eponymous debut release presents a laid-back alternative lo-fi sound, its stylistic approach reminding me fondly of Little Joy’s 2008 eponymous debut. Similarly to that, lush guitar lines

Somewhere in the midst of King Krule’s darkly developing soundscapes, Mac DeMarco’s suave psych-friendly delivery, and Dent May’s funk-laden infectiousness, Matt Elleray’s stylistic approach lives. Simultaneously infectious and atmospheric, his new track “Talk

Crystal Embryo by Sing, Bird of Prey Sing, Bird of Prey produce fluid and melodic indie-rock out of the Lehigh Valley/Poconos area in PA, where they find a beautiful middle ground between