Yellow House finished off a strong 2016 with stunning track “Control“, with the project from Cape Town recalling producing a stunning soundscape with a bouncy funk-bass and psych-friendly guitars. He seems poised
New Tracks
We’re happy to premiere to Born Again Virgins’ haunting, beautifully developed track “No Alibi”. The Austin, Texas-based act will release their first EP on May 19th, and from this track it’s easy
Los Angeles-based Rhyan Riesgo, aka Todavia, impressed last June with the track “Baby“, a gorgeous piece of shoegaze/dream-pop that was melodically carressing. Todavia just released a new album, Shyness, today — the
Los Angeles-based Wild Year craft nostalgic synth-pop, though new track “Twitching + Teasing” certainly showcases a more rock-leaning side where soaring vocals, shimmering guitars, and brisk percussion makes for an enticing sound
“Not Over You” is the final single off Memoryy’s excellent new album, Skeletons. It’s a shining moment on a release full of them, with this in particular showcasing Memoryy’s ability to channel
SIDIZEN KING’s January single, “Stuck in the Middle”, was a strong showing of electronica and hip-hop cohesion, with a hook-y chorus and smooth verses showcasing a playful vocal presence and swelling electro-pop
I’m generally not keen on posting remixes, but if it’s truly bringing something new to the fold – and melodically consuming – then I’m game. Shoffy’s remix of Calvin Harris’ “Slide” fits
“Hide” is a stunning, meticulously layered track from REIGHNBEAU, the project of Albuquerque-based visual and sound artist Bryce Hample. The track, off his upcoming EP of the same name, works around the
New Albums
Newly released album New Colors of the Sky traces Noah K‘s rapid creative evolution across seven distinct tracks, capturing his shift from
MoreLed by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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