“Strawberry Hair” is a twangy slice of melodic pop from Madeleine Mayi. Her vocals, simultaneously serene and chirpy, maneuver with suave melodic precision throughout. The bridge, led by a psych-friendly vocal interlude
New Tracks
A swelling, aquatic synth pad and bustling post-punk rhythm kicks off “Jacob’s Ladder” in captivating form. The track from Ontario-based Blue of Noon assumes a momentary increase in bounciness alongside the initial
Taipei is an alternative/indie-pop project of Finnish artist Henrik Sundström, who strives to create music dripping with warm nostalgia and and melancholy. Mission accomplished on striking new single “Flashback Man”, where the
mk.gee is the project of Michael Gordon, who alternates between New Jersey and Los Angeles, keeping constant a sleek sound that on new single “Low Lights” showcases psych-friendly guitar work reminiscent of
Nashville duo biyo wrote and recorded their new single “moments” at night on a miniature upright piano, making for an engaging and bouncy listen whose initial aesthetic reminds fondly of Junior Boys.
MYFEVER impressed about two months back with the single “Golden”, an anthemic and soaring effort that showcased the more immediate tendencies of the Atlanta alt-rockers. Off the same EP, Born For Spaces
“Frame of Mind” is an introspective new track from New York-based singer/songwriter Sam Levin, who wrote the track about the last year and a half of his life. Filled with friendship, love,
Shawna Virago’s new studio album Heaven Sent Delinquent brings more of the strengths that has earned her a steady following throughout the years, being lyrically focused songs that deal with everything from
New Albums
Newly released album New Colors of the Sky traces Noah K‘s rapid creative evolution across seven distinct tracks, capturing his shift from
MoreLed by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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