The Black Keys kind of lost their edge last year with Brothers. While it was a good album, it didn’t reach the highs and
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Protest movements often result in music that is repetitive and uninspiring, if only for the small number of widely identifiable protest songs. You shouldn't
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Oriel Joans give listeners what they expect from Swedish pop: infectiously light key progressions, trickly acoustics, and gorgeous melodies that evolve from folk-tinged whispers
