“New Light” is the first single off Brain Tan’s upcoming EP, out in September. Sonorous vocals, a galloping funk-bass, and wistful effervescent synths align with shimmering guitars to result in a freshly
New Tracks
We featured Brooklyn-based act Plastic Picnic’s “Nausea in Paradise” back in May, noting how seamless the four Pacific Northwest transplants crafted a sound touching on shimmering post-punk and relaxed West Coast vibes. “Nausea in
“Escape” is headlined by lush French female vocals and a more forcefully infectious male lead, these alternating vocal deliveries aided well by a tight infusion of electronica and pop/rock; the former is
Based out of Orlando, Florida, Everlost is the project of multi-instrumentalist Jared Kay, who wrote and plays everything on his new album Live and Let Go, which was released August 6th. From
Australian act Nick de la Hoyde crafts an entrancing vein of electro-pop that values accessibility but also riveting soundscapes. His recent track “Never Gonna Beg For It“, with over 100k YouTube views,
Anne Steele wrote the effervescent and upbeat “Love Can Take Us There” after the Pulse night club tragedy this past June. On the track, she pursues a “love trumps hate” ideology that
“Silent Companion” is ushered in with tranquil confidence, the lush woodwind-like samples building beautifully as the throbbing-heartbeat percussion provides a rhythmic foundation as the keys and soulful vocals trickle in. Ellis Rhodes’
“TV Screens & Videos” is a fresh track off Lily Virginia’s forthcoming audio/visual album Play Me Twice, where the Brooklyn-based singer/songwriter has released one music video at a time alongside a podcast
New Albums
Newly released album New Colors of the Sky traces Noah K‘s rapid creative evolution across seven distinct tracks, capturing his shift from
More
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
More
Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
More
Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
More