When they formed about six years ago, North Carolina-based band Janus 4-14 decided to name themselves after the robot in the Woody Allen film Sleeper. It was a fun name choice for
New Tracks
Picture You Staring was one of my favorite albums of 2014; the group captured a cleanly atmospheric form of nocturnal pop that’s hard to rival. So, I’m always thrilled when a new TOPS
Brooklyn-based Shaun Hettinger makes lively electronic pop under the name Memoryy. His new track “All My Love” just dropped today, showcasing a sound that is reminiscent of Erasure’s majestic synth-pop hooks. Hettinger actually
Pounding percussion, dexterous guitar runs, and an overall sense of well-constructed madness permeate throughout “Weaponization of a Star”, an instrumental effort from Sacramento-based group Ghost Color. Rhythm and melody remain consistent in
Previously impressing with tracks like “Hips“, Portland’s Astro Tan continues their masterful display of unique lushness with “Whiskey + Water”, a great track that finds the group experimenting with heavier textures and
Back in 2013 I was impressed by a submission from The Gloss, whose sound combined the sleek punchy garage-rock of The Strokes with the trashy drugged-out glam touch of Suede’s Dog Man
Cool by The Edward Furlongs The Edward Furlongs are a duo from New Jersey with a particularly sharp sound. Their brisk new track “Nagasaki” touts some Beirut-like brass flourishes over anthemic vocals and
Strong acoustical strums and string cries set “Break Or Fall” into motion, projecting a majestic quality somewhat similar to the Pumpkins’ “Tonight, Tonight”. And like that, the anthemic percussion remains with the
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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