Turkish group Tatli Patatesler merge shoegaze and indie-pop aesthetics to create a stunningly gorgeous sound. Together for just over a year at this point, their released tracks feature ethereal soundscapes steeped in guitars and spacey synths.
New Tracks
Season's End b/w Here At Home by Shadow Folk The Halifax, Nova Scotia psychedelic music scene is booming. One of the best-sounding groups to emerge recently from there is Shadow Folk. A four-piece that
Minneapolis trio Clocks & Clouds produce a unique meshing of traditional classical beauty and reverberating post-rock. The first listen to “Audeamus” makes comparisons to energetic classical-driven groups like World’s End Girlfriend or
In addition to strong tracks like “Ministry Song” and “Youthful Spite“, one of my favorite tracks off AstroMike Gordon’s exceptional new album is “I’ve Been to Berlin”. Its beginning features a mellow
A Fresh Slice by Slow Buildings Slow Buildings is the project of NJ-based singer-songwriter Jason Legacy. He writes the sort of immediately engaging power-pop that takes – at the longest – the first
EDIT: Tracks are temporarily disabled as the artist works on better masters — sorry for the inconvenience. I just discovered tropical-house/disco-house artist Macsen yesterday, but his new 5-track EP – Clara – is already one of
South African electronic duo Gateway Drugs show off their lush electro-pop allure on new single “Give Me Your Love”, which is a track off their upcoming album. The duo’s previous, eponymous album
I posted riveting electro-pop anthem “Hostage” by Aubergine MACHINE, the project of acclaimed producer Ian Carey and vocalist Shanti Ellis, a month ago — and it’s still getting regular plays from me,
New Albums
III impresses as a dynamic, stylistic unveiling of works from Canadian producer Boni, a founding member of the experimental electronic group Fried
Morenumbness is exhausting marks the tenth studio album from Houston-based artist Joho, blending boom-bap hip-hop with futuristic R&B. Co-produced by 4d3n, these
MoreThe second full-length from NYC-based band Adios Ghost, Happy House consumes in its melding of electronica, funk, rock, and beyond, marking a
MoreRecently released album Blue Without You showcases twelve timeless folk tracks spanning Pete Scales‘ fifty-year songwriting journey. From “Nebraska-esque” demos to soulful
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