Dead Heart Bloom’s thunderous space-rock jam “Broken Babylon” has the production fingerprints of Mercury Rev’s Anthony Molina all over it. Similar to Mercury Rev, Dead Heart Bloom are capable of unleashing a tour-de-force
New Tracks
Just yesterday we reported that Tomás Doncker’s True Groove label had signed with The Orchard, ensuring that the label’s talented roster will have even more opportunities to gain new fans. As Doncker noted,
WANR is the Oregon-based duo of Mitchell Winters and Bryce Miller, who craft an entrancing sound that collides James Blake’s sensual pop/R&B implementations with beautifully soaring soundscapes reminiscent of How to Dress
Lakefield are a pleasantly melodic indie-pop group out of Vancouver, with a sound that resembles Stars’ tendency to interweave gorgeous female vocals with developmental guitar-based build-ups. Stars tend to add some fascinating
“Big Muff Scream” is a slice of fuzzy goodness from Brooklyn rockers No Kill. The opening track on their new EP New Dirt, “Big Muff Scream” excels in switching off lead vocal duties
The tender country-inspired tunes of Heidi Howe is inspired by honest, back-to-the-roots goodness, both in the stylistic and lyrical senses. Stylistically, Howe’s sound recalls both country greats like Dolly Parton and more
Slow-dancing and sexed-up saxophones aren’t exactly typical of mellow folk-rockers Timber Timbre, but on new track “Hot Dreams” they seem comfortable with the stylistic direction. “Hot Dreams” plays more effectively and assuredly
Selles’ “Fading Moments” uses an ambient, chillwave atmosphere to reflect the frailty of life in its structure and tones. This psychedelic trek is led by a droning synthesizer with tones that fade in
New Albums
Newly released album New Colors of the Sky traces Noah K‘s rapid creative evolution across seven distinct tracks, capturing his shift from
MoreLed by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
MoreBudapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
MoreVictoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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