Toronto-based artist Chloe Mayse takes us into their past with “HIGH SCHOOL,” while also providing a cathartic vision of present self; Mayse describes the release as “my ‘coming out’ song – the
New Tracks
London-based folk artist Will Pope enamors on new single “Rooftops,” which ascends from trickling acoustics into gorgeous string arrangements amidst Pope’s stirring vocals. The “kitchen sink,” line ushers in those illuminated strings,
The Margaret Hooligans impress on their seventh single “The StoneHengers,” strutting a fervent garage-rock charisma with hypnotic infusions of reflective backing vocal adornments. The single also includes a music video, and precedes
A compelling slice of bluesy Americana, “Boo Boo Betty” is a new single from Liz Nash, based in Mount Dora, Florida. The artist also works as a part-time psychiatric nurse, and says:
North Carolina-based rockers Modern Moxie reveal the third single from their upcoming EP with “Don’t Look at Me,” a confident and anthemic success exploring societal pressures faced by women — in day-to-day
“hot glue” is a gripping new single from dye-dye. Steadily ruminating folk-pop appeal is evident in the panting percussion, acoustic clanging, and ethereal vocal swoons. “I can’t make you love me the
An evolving single from Carrie Stardust, “The Underside” builds from a piano-driven introspection into a bustling pop satiation. “I want you to know, that I’m happy for you,” the vocals conclude thereafter,
“Autumn Colors” is a moving track from Uri Rubin, an emerging artist who showcases a climactic intrigue throughout. Heart-tugging strings and steady percussion evolve into the “really hard for me to move
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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