Originally from Toronto and now based in Miami, electronic artist FICMARO compels on new single "Blur." The production builds with a grippingly climactic electronic dazzle, escalating from quaint synth trickles into vocal
New Tracks
Oslo-based band The Holy Mountain present a dreamy, synth-forward intrigue on new single “Searing Light,” described as “an explosive song about catharsis, leaving the darkness in favor of burning light.” The thematic
“The British Museum” is exemplary of the eclectic stylistic pursuits from UK-based band Small Black Arrows, spanning from dream-pop twangy lushness into an excitable rock grip. The quivering vocal theatrics and gliding
The third single from NYC-based artist Miles East, “All Hands On Deck” delivers a twangy, hooky rock sound with classic appeal. The effort comes via East’s upcoming album Between Lightning and Thunder,
Nashville-based artist Nick Noon struts a no-frills rock charm on new single “Who Needs Who,” whose charismatic vocal tone and buzzing guitar tenacity encourages movement in life and on the dancefloor alike.
Chicago-based duo Friend of a Friend enthrall with melodic momentum across folk and rock intertwining, seamlessly intriguing on new single “nothingforme.” Claire Molek and Jason Savsani formed the project in 2020, and
Melbourne-based band Catholic Guilt unveil a crisply emotive pop and rock appeal on new single “I used To Be Someone,” releasing in partnership with California-based independent label Wiretap Records. Introspective verses with
An instrumental rock delight from Pacific Death, “* * ocean of sleeping stars * *” balances vibrant captivation and lush intrigue. The track precedes the Stockholm-based artist’s upcoming fourth album. A series
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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