New Tracks

LB Beistad – “Why Don’t We Go West”

“Why Don’t We Go West” is a gorgeous new single from LB Beistad, a singer/songwriter from rural East Tennessee whose cinematic folk sound conveys yearning and a look to the future. Lyrics

Fellow Hollow – “Alder”

A new single from Fellow Hollow, “Alder” is an inviting, caressing success with chamber-pop and folk enamoring. “Where do you go?” the vocals ask amidst quainter piano and trickling acoustics, as gradual

Strange Souvenirs – “Slight Mod”

A hypnotic and textured rock sound is apparent on “Slight Mod,” the new single from Berlin-based act Strange Souvenirs. Shoegaze, post-rock, and new-wave influence are worn proudly, reflecting a sound heavy on

about-faces – “Under the Sun”

A consuming debut single from Leeds-based band about-faces, “Under the Sun” struts a hooky rock sound with intertwining vocal layers and relatable themes. Failed relationships, particularly in the context of bittersweet nostalgia,

LokkisKott – “Deep Inside”

“Deep Inside” is a moving, expansive single from Australian singer/songwriter LokkisKott, the solo project of Lachie Alford. Muted guitar tones find accompaniment in frolicking acoustics, as a yearning vocal presence reflects on

figure eight – “altar”

Showing a delectable rock sound with textural elements of shoegaze and slowcore, “altar” is the new single from figure eight, a duo from Davis, CA comprising Nash Rood and Mar Baeza. Releasing

Empty Machines – “Luna”

Glasgow-based duo Empty Machines stir with their debut single “Luna.” Their cinematic, layered sound builds with precision and intrigue on the track, strutting a steady momentum in its evolution from quaint contemplation

Emmannuel and The Unlimited Consciousness – “Milk”

The lactose-loving pop delight “Milk” is the debut single from Brooklyn-based artist Emmannuel and The Unlimited Consciousness, the project of Emma Anne Johnson. Inspired by Detroit’s flourishing music legacy whilst growing up

New Albums

Rina Kharrasova – ‘Ravel: Sonatine’

Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate

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