Hypnotizing in its yearning synth-pop nostalgia and saxophone-laden conclusion, “Poisonous” is a stylish new single from Palanquin, a project based in Orlando, Florida. The initial “another wasted night,” lyrics prove apt within
New Tracks
An atmospheric delight in both its lyrical descriptions and textured guitar tones, “Pfeiffer Beach” is a single released today from I Wish I Was A Punk Band, the solo project of multi-instrumentalist
Twangy guitars and lushly caressing vocals prove gripping on “call me up sunshine,” a new single from oddnesse, the project of songwriter and producer Rebeca Arango. She describes the release as “a
Catching our ears last month with the single “Captive Coast,” New York-based experimental pop band Tallinn compels again with “Vulgar Nature,” the second single from their recently released album, On the Trade
Culminating in a thumping psych-friendly title-touting declaration, “I Am A Bird” is a rousing new single from Dr. Rocket, the Seattle, Washington-based solo project of Nick Carver. “I’ll be going now, I’ll
Channeling a nostalgic balance of understated contemplation and dazed psych-rock, “Charm Squad” is a newly released track from Faster Than Light, a music project based in Brooklyn, NY. Nate Jasensky’s deep, debonair
Gorgeous psych-pop single “No One” is the dazzling debut from Belgian artist Gab de Soul. Spacey synth pulses and a funky bass galloping conjures a Tame Impala likeness, impressing further during the
Traversing enjoyably from lofty ambitions to a coffin-set eventuality, “Coffin” is the new single from Ian the Idiot, an artist from Los Angeles. Twangy guitars and underlying acoustics conjure a debonair quality,
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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