Traversing from moody contemplation into a steady rock infectiousness, “Blew The Job” is the latest single from DANAE, the Berlin-based project of Tim Gallego. Per the artist, the track “talks about a
New Tracks
The second single from Stella Starfox‘s upcoming album, “Backatcha” engages with its reflective and optimistic themes, amidst a quaintly effective meshing of tender guitars and hazy synths. The track follows up the
“Orphans” is a heart-tugging, rock build-up from Ghost Shirt, representing the first single from their upcoming album, out this fall. Understated guitars and retrospective lyrics ease into gentle strings, which expand with
“astronauts” is the latest synth-pop success from Vancouver-based artist rx1f, who caught our ears in February with the track “how to defeat gravity and achieve escape velocity.” Described as “a song for
Synth pulses and debonair vocals consume on the catching “The Best,” a new single from Los Angeles-based artist Andy Clockwise. The production conjures a New Order-esque pull in its blend of pop
Nashville-based band Cold Equations strut an evolving rock appeal on the track “Eraser,” their second single this year. Thematically approaching the topic of “fading away in the eyes of a lover,” “Eraser”
A standout two-track single from New York-based trio Denmark, “call you” and “magazine” are exemplary of the band’s infectiously dynamic rock sound. The former plays with a debonair composure — “call you
Channeling the project’s meshing of hooky rock production and philosophical themes, “Anesthesia” is a new track from Tokyo-based band Heavenstamp. The track depicts “a person who bravely walk through the days that
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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