A compilation from Bethesda-based label Big Curve Music featuring the label’s acts (focused in DC, Maryland, and Virginia), The Big Cover-Up is a compilation album, featuring covers of big inspirations. While some
New Tracks
Vancouver-based rockers Whitbeck released their debut album, January 22, this past week. Greg Whitbeck — formerly of Morning Maker, Tourist and Shining Hour — handles all music/lyrics and production, his moving songwriting
Danish artist Denni Ian impresses with his new track “Two Figures,” released today. Produced alongside longtime collaborator Christian Johansen, “Two Figures” represents the first release from Ian since his debut album, The
A captivating rocker with qualities reminiscent of The Stone Roses, “Capsized” is a new track from Waves Crashing, a quartet from Olympia, Washington. Jangly guitar-pop charms intertwine with darker, escalating distortion to
Melding sophisti-pop and electronic charm, “Initials” is a new track from viBen. Suave piano tones and a warming bass pulsation craft an inviting soundscape, alongside laid-back vocals and twangy ambient effects. A
“INNOV8!” is a hypnotic hip-hop success from Los Angeles-based artist Nemesis. Steady percussion and organ pulses complement a consuming vocal lead, diversifying tone and flow throughout with charismatic cohesion. The old-school hip-hop
Showing a melodic and lush hip-hop sound, “Wildflowers” is a new track from Midwestern rapper Karras. The single releases with four consuming mixes, from Jack Lim, Nakka, CYNYD, and Carpa D. Jack
A collaborative album from [[]]togethermachine and @prtr_jan, Inner City Groove, Vol. 1 channels a diverse electronic sound with eclectic stylistic flair. There’s an atmospheric pull throughout, nocturnal and gloomy though also with
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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