A striking debut single from Void Comp, “Come My Way” dazzles with its late-night synth atmospherics, fondly reminiscent of Junior Boys. The project of Canadian multi-instrumentalist and singer/songwriter David Jule, Void Comp
New Tracks
“Behave” is an invigorating rocker from Soheill, the Nashville-based artist who impressed last year with the single “Can’t Stop Thinking.” Crunchy guitar distortion accompanies relatively understated vocals to start, while emitting an
First catching our ear with the eclectic track “Commit” last year, DERYK G. impresses this time with “Damian.” The smooth, title-referencing hook succeeds with a lushly melodic sway, as the ensuing verses
A creative, ever-shifting success from Maya Yenn, “How Much Sadness Can You Swallow?” engages with both bright pop hooks and darkly atmospheric turns. A creeping, more ominous progression at the forefront builds
“In Your Hands” is one of several highlights from Killed by The Architects‘ debut self-titled album. The Chicago-based artist channels a convincing sound steeped in rock and post-punk, citing influences like DIIV,
An escalating southern rock charmer, “Wild Rose” opens Bad Whiskey, the latest album from Nikki Wozzo & The Bad Whiskey. The Los Angeles-based artist blends rock, country, and blues throughout the album
A bright, soaring blend of folk and pop from Nashville-based artist Will Jackson, “Good Enough” is an accessibly melodic success. The track comes via his latest album, Songs From the Briarpatch. “If
Showing a dreamy folk sound with mystique, “Second Chance” is a recent track from Furs, the project of South London-based Fursey Rossi. The artist’s earlier material found inspiration from video games Rossi
New Albums
German band Reptyle compel with a gothic-rock and post-punk vigor on their excellent new album Blazed Shades & Thorned Veils — enveloping
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Radiating a dynamic blend of raucous rock bursts and lush, introspective warmth, I love you, trackstar is a captivating full-length from Los
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New York-based Too Much Joy celebrate a defining chapter of their legacy with Son of Sam I Am (Tommy’s Version), a sprawling,
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A heartfelt and elegantly riveting classical sound shows on From the Heart, the sixth album from Sharon Ruchman — and her first
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