“Don’t Quit” is a new track from Pure Mids, a trio that met years ago while playing shows with their previous bands throughout the San Gabriel Valley and Los Angeles. With Pure
New Tracks
Birmingham, UK artist Rosie Tee impresses with new track “Chambers,” a captivating effort that grows from spacey lushness into a rhythmically bustling tour-de-force. The bass line, in particular, meshes beautifully with the
The lead single off Sam Hoffman’s debut album Fairweather, “Glencrest Lane” is a consuming example of Hoffman’s strong songwriting and aesthetic, recalling ’60s and ’70s rock/pop while emphasizing a jangly feel. This
The brief though wholly successful “ODE2K0IPT.2” is the latest track from PoetX, a recording artist, poet, and author born in Philadelphia, PA and raised in Newark, DE. Touting a spacey feel reminiscent
The bursting synth-pop intro on “Peripheral” seamlessly transitions to a lush, lounge-y relaxer — a mellow bass line, caressing piano, and butter-smooth duet vocals leading the way. The synth emerge again at
Nashville-based artist Thad Kopec unveils an intimate, haunting sound on the engrossing new track “Mirror.” Acoustical trickles and a lush key progression accompany his mellow vocals to start, transitioning around 01:30 to
Henry Hall’s latest is a moving crooner featuring creaky acoustics and piano smatterings, reminiscent aesthetically of Grizzly Bear. From brisk hook-filled rockers like “Comfort Zone” to quainter more folk-inclined efforts like “Missing
I first caught onto John War with his stylish, atmospheric cover of Glen Campbell’s “Wichita Lineman” a couple years ago. It was a nice showcase of his aesthetic, which is continued with
New Albums
Oslo-based band von Krogh depict the turbulent aspect of life’s ups and downs within an emotive production on their new album WAVES.
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Consuming in its stylishly foreboding rock, folk, and Americana interweaving, Too Many Ghosts is the new album from CoyoteBear, a band based
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Asheville, NC-based band The Silver Doors captivate with an eclectic rock appeal on their self-titled album. From concise punk outputs to anthemic
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Los Angeles-based musician and producer Cormac Liotta unveils a fuzzy, melodic rock charm across the three-song EP, I Bought A New Pedal.
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