New Tracks

Morisse Monty – “Be Me”

“Be Me” shows a sweeping, consuming production — elevated in the second half by majestic strings and haunting vocal accompaniments. This follows a lush, dreamy first half with a succeeding nocturnal synth/guitar

Sargasso – “Sacred Plums”

With a consuming quality throughout, “Sacred Plums” builds from contemplative, reflective rock into dramatic guitar tones and escalating vocals. The latest track from New Haven, CT-based band Sargasso, “Sacred Plums” shows a

Stray Fossa – “For What Was”

Stray Fossa impress with the “For What Was,” a bouncier and more uptempo success compared to past efforts like “These Days” and “Are You Gonna Be Okay.” The Charlottesville, VA-based band’s latest

Trevor James Tillery – “Beg”

“Beg” shows a captivating sound lovably influenced by acts like My Bloody Valentine, Lush, and Slowdive. Nashville-based artist Trevor James Tillery impresses with the release, the second single from a collection of

Max Mason – “Hold On (You’re Not Insane)”

A psych-forward spectacle, “Hold On (You’re Not Insane)” is a fantastic track from Max Mason. The London-based artist unleashes a fury of consuming melodic twists and turns, touching on a myriad of

Austin Max – “As Leaders Fail to Lead”

Austin Max‘s debut release “As Leaders Fail to Lead” is a stirring success, showing a resonating folk sound. Tender acoustics and twangy adornments escalate gradually alongside a yearning vocal presence, lyrically reflecting

Bad Mime – “Do You Love Your Man?”

Do You Love Your Man? by Bad Mime The first of several releases in the coming months from Bad Mime, the solo project of drummer/programmer Zach Simao, “Do You Love Your Man?”

K. L. Mazlin – “Middle Ground”

“Middle Ground” is a track released this week from Melbourne-based artist K.L. Mazlin. Serving as “an ode to getting older,” “Middle Ground” opens nicely with a piano-driven soulfulness, complemented by suavely yearning

New Albums