“Fading” is a new single from Tel-Aviv based band RGB, the first single from their upcoming album. A vibrant, evolving neo-soul sound is on display. The introduction features gripping spoken-word over mellow
New Tracks
The opening track on Peter Cat‘s upcoming debut album The Saccharine Underground, “The Big House” delights with a hooky, rising sound. At points sporting aesthetic resemblances to acts like The Divine Comedy
“Starlite” is the latest track from new act Family Mart, based in Austin, TX. A hazy soundscape, led by lush vocals and dreamy guitars, catches from the get-go. “How does it feel
“Wouldn’t It Be Nice (To Meet Some People)” is a new track from Mimile, the project of Emilie Blom. A suavely entrancing bass line and slight guitars accompany rising vocals to start,
A gripping new track from bladebae, “Worst of Sins” evolves from haunting folk to a rousing rock spectrum. Aesthetically, Jeff Buckley is an enjoyable point of comparison. Per the artist, the track
“Grateful Dead” is a lushly engrossing track from Simen Mitlid. The Oslo, Norway-based singer/songwriter first caught my ear in 2017, with the tracks “I Don’t Care” and “Vacation.” “Grateful Dead” features a
As hinted by the fantastic, synth-tinged rocker “Heart” in August, Bo and the Locomotive‘s newly released album impresses with a range of wholly melodic tracks. The St. Louis-based artist shows well throughout
Showing a dreamy vein of synth-laden rock that builds into a blissful chorus, “Back Home Old Buddy” is a newly released track from Butter Bath, the Sydney-based project of Toby Anagnostis. Jangly
New Albums
On the ambitious Redux Trilogy, London-based project Coaxial delivers three distinct releases — Redux Media, Firemaniac, and Wittgenstein–Cronkite–Hellholes — designed for simultaneous
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Los Angeles-based band Sego unleash an eclectic, charismatic art-punk and rock appeal on their new album, Direct To DVD. Flipping a format
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Newly released album Muffled Ears, the World Sounds Bad Quality finds Reading, England-based artist Sightseeing Crew crafting a sophisticated collision of psychedelic
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Rina Kharrasova captivates with a sharply focused interpretation of Maurice Ravel’s Sonatine, M. 40. Moving beyond “impressionistic haze,” the Moscow Conservatory graduate
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