“Low Cut” shows another consuming sound from Fried Dough, the Toronto-based project impressing previously with the tracks “Pushy” and “Bones.” The second single in Fried Dough’s latest series of releases, “Low Cut”
New Tracks
A single from I Am, the debut EP from Australian artist ElectroMagneticPulse (EMP), “I Wander” enamors with its moody blend of psychedelic electronic and rock. The release’s 13 tracks show fondness for
Unfolding from a yearning, mellow acoustical vibe into a shimmering, anthemic finale, “You’ll Be Something” is a memorable track released today from Tango Alpha Tango, a band from Portland, OR. The primary
Released today, the video for Said Sara‘s “Bleedways” captures the track’s captivating mood and brooding character. The black-and-white visuals convey several striking scenes, from nocturnal rainfalls and industrial cityscapes to slice-of-life photography.
“Did I Imagine Everything?” is a hypnotic pop gem from Half Speed, the project of Australian musician Ben Corbett. Hazy guitars and a pulsing bass line accompany gentle vocals, singing aptly of
The closing track on Lennin Ledesma and TJB‘s fantastic VIDA EP, “Living in the Past” soulfully embodies the collaborators’ bright talents. TJB’s instrumentation is hauntingly nostalgic; a ghostly backing organ glides alongside
The first single from Peacebone‘s upcoming album Métanoïa, “Arcane” envelops with an intriguing, swampy allure. The track’s “when will I see you again?” chorus enthralls with fuzzy psych-rock appeal. The ensuing verses
“Truth Inside” is a tranquil, mellow rocker with jangly appeal. Niall Summerton shows a consuming knack for dreamy, textured songwriting in addition to lushly engaging vocals. Aesthetically, there’s a fond likeness to
New Albums
Led by New York-based composer Dash Lunde, VPC Ensemble presents Life Is a Strange Loop: Side A, a recursive meditation on consciousness.
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Budapest-based artist Bárdits Éva‘s solo debut, Inertia, delivers a striking fusion of avant-garde soundscapes and raw confessional songwriting. Recorded entirely at home,
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Victoria, Australia-based producer Cale Anderson‘s full-length Yemaya (We all Come from The Goddess) blends folktronica, art-pop, and dynamic percussion into a devotional
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Mode7, the debut conceptual album from French songwriter Julien Daval’s project FloreJack, charts a narrative arc through both intimate acoustic storytelling and
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